These very common questions measure your ability to identify the author’s ideas, attitudes, and tone. They may also ask you to identify the subject of the passage or determine which choice best tells what the passage is about. Often, these questions require you to make an inference based on facts that you have to piece together from the passage. These questions usually include one of these key words: think, predict, indicate, feel, probably, seem, imply, suggest, assume, infer, and most likely.
Main Idea questions
These are basically vocabulary questions about difficult words in a passage or about ordinary words used in unfamiliar ways. The key with these questions is to read the surrounding sentences to decipher the meaning of the word from the context of the passage.
Vocabulary Questions
It is little remembered today that well into the late nineteenth century most American machine manufacturers embellished their creations. While this practice pleased the public, some observers considered it anomalous. A writer in the British periodical Engineering found it “extremely difficult to understand how among a people so practical in most things, there is maintained a tolerance of the grotesque ornaments and gaudy colors, which as a rule rather than an exception distinguish American machines. The tone of lines 18–20 (“It is . . . creations”) can best be described as (a) disbelieving (b) uncertain (c) objective (d) exasperated (e) relieved
(c) objective
Which of the modes of persuasion is used in the excerpt below? "I am not unmindful that some of you have come here out of great trials and tribulations. Some of you have come fresh from narrow jail cells. And some of you have come from areas where your quest -- quest for freedom left you battered by the storms of persecution and staggered by the winds of police brutality. You have been the veterans of creative suffering. Continue to work with the faith that unearned suffering is redemptive. Go back to Mississippi, go back to Alabama, go back to South Carolina, go back to Georgia, go back to Louisiana, go back to the slums and ghettos of our northern cities, knowing that somehow this situation can and will be changed." I Have a Dream by Martin Luther King Jr. August 28th, 1963.
Pathos
Yet in their reluctance to give up adornment—ridiculous as it might have seemed— these designers were in fact expressing a discomfort we all share, an uneasiness in the face of mathematical severity. Lines 39–43 (“Yet . . . severity”) imply that human beings share which of the following? (a) A preference for some sort of embellishment (b) A natural curiosity about ideas (c) An innate indifference toward designers and design (d) A fear of shifts in cultural styles and taste (e) A rejection of the principle of symmetry
b) A natural curiosity about ideas
¹ John F. Kasson, Civilizing the Machine: Technology and Republican Values in America 1776–1900 (New York: Grossman Publishers, The Viking Press, 1976), Chapter 4, “The Aesthetics of Machinery,” pp. 139–180. ² “Machine Tools at the Philadelphia Exhibition,” Engineering (26 May 1876), p. 427, cited by Kasson, see note 1 above. Which of the following is an accurate reading of footnote 2? (a) An article by John F. Kasson appears on page 427 of Engineering. (b) “Machine Tools at the Philadelphia Exhibition” was published in New York. (c) The article “Engineering” can be found on page 427 of “Machine Tools at the Philadelphia Exhibition.” (d) “Machine Tools at the Philadelphia Exhibition” is an article published in the May 26, 1876, issue of Engineering. (e) Engineering is an article cited by John F. Kasson.
(d) “Machine Tools at the Philadelphia Exhibition” is an article published in the May 26, 1876, issue of Engineering.