Cuts
Titles
Writing
Shots
Angles
100

The first editing pass done for a film.

Rough cut

100

at the beginning of your production,

Title

100

events where each affects the next one

Plotting

100

Creates intensity or tension

Extreme close up

100

make the actors or objects appear more insignificant, small,

High angle

200

reduces the dimensions of the image

Crop

200

profession is operating a television or movie camera.

Camera man

200

the description of what is happening on screen

Action

200

Frames the subject from the feet up

Long shot

200

To depict the power or importance of an object

Low angle

300

This can happen when two sequential shots of the same subject in the same scene are cut together from camera positions that vary only slightly.

Jump cut

300

will come up with story ideas and hire writers or choose and secure rights to scripts.

Producers
300

creating a narrative that tells a story

Script writing

300

Tells the viewer where the story is taking place

Wide shot
300

created when the camera is placed nearly waist-high

Cowboy angle

400

includes audio from the second clip over the first clip.

J cut

400

the creative leads of the film. They hold the creative vision throughout the whole process, from pre-production through to the final edit.

Director
400

 draw your attention to the key visual element of the scene.

Slugline

400
when a shot frames the subject from mid chest, to just above their head.

Medium close up

400

a camera angle very commonly used to convey a neutral view.

Eye level

500

includes audio from the first clip over the second clip,

L cut

500

Usually scrolled at the end of a show.

Credits

500

a sequence of drawings,

Story board


500
Confirms the location and geographic of the scene

Mastershot

500

used to signify suspense or to foreshadow that something unexpected is about to happen.

Dutch angle
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