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Don't come in here botherin' me," said the cook, intolerantly. "What with your mother bein' away on a visit, an' your father comin' home soon to lunch, I have enough on my mind -- and that without bein' bothered with you. The kitchen is no place for little boys, anyhow. Run away, and don't be interferin' with my work." She frowned and made a grand pretense of being deep in herculean labors; but Jimmie did not run away.
"Now -- they're goin' to have a picnic," he said, half audibly.
"What?"
"Now -- they're goin' to have a picnic."
"Who's goin' to have a picnic?" demanded the cook, loudly. Her accent could have led one to suppose that if the projectors did not turn out to be the proper parties, she immediately would forbid this picnic.
Jimmie looked at her with more hopefulness. After twenty minutes of futile skirmishing, he had at least succeeded in introducing the subject. To her question he answered, eagerly:
"Oh, everybody! Lots and lots of boys and girls. Everybody."
"Who's everybody?"
The conflict in this scene is built mainly by…
(A) Jimmie’s long internal monologue about his problems with the cook.
(B) the detailed descriptions of the cook’s physical power over Jimmie.
(C) the aggressive and unbalanced dialogue between Jimmie and the cook.
(D) the parents’ lack of help in the kitchen.
What is C). We start realizing there is a problem in this story when the cook immediately starts lecturing Jimmie as he enters the kitchen.