Filmmakers
An Art Director...
directly oversees artists and craftspeople, such as the set designers, graphic artists, and illustrators
If the camera is at EYE LEVEL, then it is...
Neutral between the character and viewer
Moves horizontally, like a crab moving from side to side.
TRUCK (CRAB/TRACK)
What do you see in an EXTREME WIDE SHOT?
The setting, establishes where the scene is set
What does Mise-en-scène mean?
Placing on stage
A Key Makeup Artist...
responsible for planning makeup designs for all leading and supporting cast
If the camera is at WORMS EYE VIEW, then it is...
An extreme version of the low angle, looking up from the ground
The camera is lifted vertically and horizontally, using a crane like lever.
CRANE/BOOM
What do you see in a LONG SHOT?
The full length of the character, showing action
Three point lighting is
When light is shown from three directions
An Editor...
the person who assembles the various shots into a coherent film
Placed above the subject and tilted downwards
HIGH ANGLE
What is a Dolly movement?
The camera moves toward the subject, wheeled on a cart.
The heads and shoulders of characters (emotions)
CLOSE UP
What lighting is typically used in horror films?
Low Key Lighting
A Foley Artist...
The person who creates the post-sync sound effects for a film
An extreme version of the high angle, the camera is looking down from far above
BIRDS EYE VIEW
What is a TILT movement?
The camera rotated vertically, as if you were nodding your head up and down.
1-3 characters from the waist up, showing action/dialogue
What do you see in a MEDIUM SHOT?
Full of soft lighting, creating bright, full colors
High Key Lighting
The Director...
oversees the creative aspects of a film: controls the content, directs performances, selects locations, etc.
Tilted on a horizontal axis
DUTCH TILT
The camera moves up and down on a pedestal.
PED
Zoomed in on the face of characters, showing detail
EXTREME CLOSE UP
Name all 4 Key Aspects of Mise-en-scène
1. Settings and Props
2. Costume, Hair, Makeup
3. Lighting and Color
4. Space and Composition