Fergalicious
Definition
Make Them
Boys
Go Loco
100

Who was Serlio and what did he do? 

A designer who usually constructed their stages and musical entertainments in large palace ballrooms or banquet halls.

100

Define meta-theatrical

Works that trigger audience awareness of the make believe quality of a performance, or the operations of dramatic invention, usually for the purpose of provoking audiences to re-access the processes by which they construct meaning.

100

Why was the theatre of Pompey built?

Highly visible platform where Pompey (and other rulers) could preside over the gathered populace, displaying authority.

100

Define high comedy

Derives from ideas & witty language (socially oriented critic would point out that these are the prerogatives of an economically privileged class.)

100

Define gestus

Expressive means an actor can employ, such as a way of standing, or moving, or a pattern of behavior that indicated to the audience the social position or condition of the character the actor is playing.

200

Who is Zeami, and why does he matter?

Son of Kan'ami, evolved noh theatre into a unique form of Japanese theatre & drama.

200

Define aesthetics of performance

Kinds of pleasure for particular audiences through dramatic & theatrical means.

200

Define pantomime

Solo, non speaking actor (mask w/closed mouth), who played all the roles in a lavishly staged myth or the re-staging of a drama.

200

Define low comedy

Derives from less refined selection than from fast developing events, and physical action, with the body being a major player. (ex. erect phallus)

200

Define ethnography

One of the primary research methods developed by anthropologists. Involves fieldwork usually carried out by living in the community that is the sit of research.

300

Who is Lope Felix de Vega Carpio (more commonly known as Lope de Vega)?

Prolific and renowned playwright of the golden age. More than 800 plays written

300

Define agonothetes

"arranger of contests"

300

 How were mime and pantomime artists regarded?

Controversial figures denied citizenship.

300

How does Frye say comedies end?

  • Festive ritual
  • Dinner
  • Wedding
  • Signaling the formation of a new society
300

What is the author & Edward Said's criticism of how historians have characterized the Ear and kathakali dance?

When kathakali is classified, as some in the West have, as "classical," or "traditional," these labels imply that Kathakali is relatively fixed and unchanging, rather than a dynamic reflection of socio-cultural and political/economic processes. Such labels also say something disturbing about the West. Edward Said identified this kind of ahistorical process of projecting onto cultures of the Middle East and Asia what the West desires them to be as "orientalizing" the "other"

400

Who is Pedro Calderon de la Barca?

Succeeded Lope de Vega as Spain's most successful playwright.

400

Define ludi

"games"

400

Why do people regard tragedy as more artistically significant comedy?

  • High born characters
  • Elevated language
  • Moral weight of human suffering
  • Ultimate idealism about human potential under duress
400

 Define Katha

Sanskrit word for "story, telling or narration"

400

Define bourgeoise

The property owning and professional urban class that gradually supplanted royal sovereigns and landed aristocrats as rulers in Western Europe during the 18th and 19th centuries.

500

Define Rasa

The pleasure of "tasting" the various aesthetic sentiments that live theatre offers.

500

Define mimes

Women & men performers in masks, using monologue, dialog, dance, song, and skills.

500

How did Aristotle characterize comedy?

Populated by characters of a lower type, derived from a defect that is neither painful nor destructive.

500

Define Natyasatra

an encyclopedic work on all aspects of drama attributed to the stage.

500

What did print culture do to theatre?

Helped to legitimate dramatic theatre as an independent institution, shaped the development of perspective scenery within a proscenium frame, accorded greater authority to dramatic authors, enhanced the legibility of the gestures and characters presented by Western European actors, and eventually helped to convince many Europeans that they were members of a nation-state, not just a city or province.

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