Sequence
The natural way a person responds to a stimulus
Motivated sequence
Inappropriately diverting attention from the main actors by calling attention to yourself onstage
Scene-stealing
Improvisation that allows for depth in the development of a single character
Individual improvisation
Thoughts and emotions
Internal stimuli
Television programs that are situation centered
Sitcoms
Stimulus
First step in motivated sequence
To be visible onstage without scene-stealing
“Do nothing” effectively
The naturalness needed to keep a production fresh
Spontaneity
The causes and reasons for a character’s behavior; the driving force behind improvisations
Motivation
A focus on the reactions of a character or a group of characters placed in various situations
Character-centered approach
Last step in the motivated sequence in which you react vocally or physically
Main response
The impression given by a performance that has spontaneity and freshness
“Illusion of the first time”
Putting together all facets of a character to bring life and interest to that character
Characterization
The problems, challenges, and circumstances a character must face
Situation
Placement of different characters in certain situations, focusing on their various reactions
Situation-centered approach
The step in the motivated sequence in which your brain registers the stimulus
Idea connection
Can be answered with a yes or no, thus hindering improvisational dialogue
Terminal question
An impromptu portrayal of a character or scene
Improvisation
Things that are heard, seen, tasted, felt, or smelled
External stimuli
Voice, body language, and movement
Primary means of conveying character