A forgotten tradition
Planning a cultural workshop
Learning from experts
Sharing culture online
More than a school project
100

What traditional craft did Linh become interested in?

Pottery

100

What event did Linh suggest organising?

A cultural afternoon/workshop

100

Who taught the students about the traditional crafts?

Visiting craftspeople

100

What did Linh’s group create after the workshop?

Short videos

100

What had some students previously thought traditional crafts mainly were?

Souvenirs for tourists

200

Where was the pottery workshop located?

Near her grandmother’s village

200

Name one practical problem identified by the teacher.

Dangerous tools / limited space

200

What could some traditional patterns represent?

Good luck / family / important historical events

200

Where were the videos posted?

On the school’s social media page

200

What did students realise the objects represented?

Knowledge, skill and family history

300

Why were fewer young people learning the craft?

Many preferred modern jobs in the city

300

How did Linh solve the problem of limited space?

She organised students into small groups/separate activity areas

300

How did some students feel about the activities before trying them?

They thought they might be old-fashioned

300

Who responded to the videos online?

Former students and people living abroad

300

According to Linh, can schools stop cultures from changing?

No they cannot stop cultures from changing

400

What problem did Linh identify after speaking to the workshop owner?

Traditional craft skills might disappear if young people stop learning them

400

Why was supervision important during the event?

Some tools could be dangerous

400

What caused many students to become more interested?

They could create their own designs while using traditional techniques

400

Why was Linh pleased about using technology?

It allowed an old tradition to reach a wider audience

400

What does Linh think schools can do?

Give young people opportunities to understand traditions

500

What can we infer about Linh’s attitude towards traditional culture? Give evidence. (2)

She believes it is worth understanding/preserving; she wants her school to help students understand why traditional crafts matter

500

What does Linh’s response to the problems suggest about her character? (2)

She is organised/resourceful/responsible because she found practical solutions rather than abandoning the idea

500

What does this paragraph suggest about one way to make traditional culture appealing to young people? (2)

Allow them to participate creatively/adapt traditions rather than only observing or copying them

500

What contrast does the writer create in this paragraph?  

Modern technology is being used to preserve/share traditional culture

500

What is the main message of the final paragraph?

Culture will change, but young people should understand traditions before deciding whether to continue them

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