Melo
Drama
Invisible Life
Mise-En-Scene
History
100

The English translation of 'melos'

Music


100

The male dominated system commonly opposed by protagonists of melodramas

Patriarchy

100

The city in which "Invisible Life" takes place

Rio de Janeiro

100

The area in a frame which the eyes are drawn to first

Point of dominance

100

The time period in which melodrama originated

Late 18th century

200

The instrument featured prominently in "Invisible Life"

Piano

200

Instead of action, melodramas primarily focus on portraying this

Emotion

200

Guida and Iorgos ran off to this country

Greece

200
In English, Mise-En-Scene translates to this

Put in scene/setting the stage

200

In the era of classical Hollywood, another name for the melodrama was this

Women's weepies/matinees, soap operas

300

Fundamental to Latin America melodrama, this type of music can be heard by the characters within a film

Diegetic

300

The narrative arc of the melodrama is comparable to this Shakespearean genre of stage production

Tragedy

300

Guida's lack of this prohibited her from obtaining travel documentation

A husband

300

A common method of portraying time in non western films

Non linear

300

The word 'melodrama' has roots in these two languages

Greek and French

400

Early ninteenth century melodramas commonly featured scenes and musical scores from these establishments 

Nightclubs

400

Whether a parent leaves their child, or a child leaves their parent, a common theme in melodramas is this

Abandonment

400

Guida's reason for taking on Filomena's identity

To keep the house

400

Tone, colour, and shape determine this in a frame

Balance

400

Literary theorist Peter Brooks described melodramas as vehicles for this

The moral occult

500

Brazilian composer Antonio Carlos Gomes's opera based on this 1857 romantic novel spawned many melodramatic productions in the early 20th century

O Guarani

500

Though U.S. film studies believe this to be the main theme of the melodrama, Latin American productions often take on broader issues

Domestic issues

500

"Invisible Life" is often viewed as a companion piece to this 2002 film by the same director

Madame Sata

500

Following the discovery of her pregnancy, this dominant colour is used to reflect Euridice's turmoil 

Teal

500

This famous Mexican-Argentine tango singer made over 20 films, beginning with her 1936 film "Help Me to Live"

Libertad Lamarque

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