Week 1
Week 2
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Week 4
Random
100

What is mise-en-scene?

Everything that appears before the camera-- What is happening in front of the camera.

100

What is one memorable thing about how Roma was shot?

It was shot in sequence, from beginning to end.

100

What is montage?

French word for assembly; montage sequence refers to the method or governing logic for how shots get arranged in a scene/sequence.

100

What are the components of sound? DINGS acronym.

Diegetic- happening in the story world and characters can hear ir

Interrupts our focus

Non-Diegetic- inner monologue

Grounds us in the storyworld

Synchronous- matches with what is happening in the story

100

What does hegemonic mean?

Understanding that things are not equitable/ fair but its just the way it is, ( and worthy of defending). 

Accepting things for what they are without question.

200

What is diegisis?

What is happening in the storyworld.

200

What is High-Key lighting?

Variety of light sources that ensure everything in frame is well lit. If shadows are visible, they are minimal and do not encroach into the frame too much

200

What is the purpose of an establishing shot?

Locates viewers in a specific space; can be real, fictional or historical.

200

What are the formal elements of film language?

Acting, Cinematography, Editing, Mise-en-scene, Sound.

200

Associations with Hollywood style...

Narrative conflict & resolution

Identifiable characters/ typer with unambiguous motivations


300

Types of shots

Extreme long, long, medium long, medium, medium two, medium close-up, close-up, extreme close-up.

300

What is low-key lighting?

Creates dynamic contrast and sharp, dark shadows, with the fill light typically eliminated. More difficult to see characters and surroundings clearly.

300

What is ideology?

Arbitrary conventions that govern conduct and largely go unquestioned because they present themselves as natural, normal and the way things are; normative understandings; something assumed to belong

300

What are the three cinemas and how are they characterized?

First cinema- commercial cinema, Hollywood

Second cinema- European, authors cinema (french new-wave); art house

Third cinema- existing beyond euroamerican binary^ 

300

What is pan?


when a stationary camera pivots on its axis from side to side, or from left to right

400

Who is the director of Rear Window and what is the year it was released?

Alfred Hitchcock, 1954.

400

Who is the director of Roma, what year was it released, and what year and location is it set in?

Alfonso Cuarón, Released 2018, set in Mexico City, colonia Roma, early 1970s.

400

Who is the director of The Battleship Potemkin and what year was it released?

Sergei Eisenstein, 1926. 

400

Who is the director of Black Girl and when was the film released?

Ousmane Sembene, 1966.

400

What is tilt?

stationary camera moves up and down

500

What does the acronym FAME stand for?

Elements of Cinematography:

Frame

Angle

Movement

Extended/shallow depth

500

What is Italian Neorealism? How does Roma portray this?

A film movement in Italy that emerges after WWI and is in direct contrast with Hollywood's classic cinema's realism. Identifiable for its use of non-professional actors, shooting on location, minimal editing, use of natural lighting, long takes, and limited use of close ups. 

Roma does all of this and this was Yalitza Aparicio's first ever acting role.

500

What does the acronym LOADED stand for in terms of editing (continuity/discontinuity)

L(ighting)O(bjects)A(ction)D(irection)E(yeline)D(egree)- with impact/meaning 

500

What is the background for third cinema?

Colonization-->decolonization 1945-69. Vast portions of Africa and Asia were winning independence from European colonial rule, while many countries in central and south america were resisting or deposing neocolonial influence from the US and europe 

500

Who is Frantz Fanon?

Fanon- born martinique, studied medicine in france, worked in algeria; independence at any cost, even through violence; wanted people to be physically AND psychologically free; Theorist who heavily influenced Sembene’s work.

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