Characters
Names of the twins who are former Chicago mob enforcers, who return to 1930s Mississippi to start Club Juke.
Smoke & Stack
Religion that Sammie rejects at the beginning of the movie.
Christianity
This is what the blues represent for Sammie and everyone else at Club Juke.
Cultural identity
This is how vampires convert humans into vampires.
Name of the boy who is a skilled blues guitarist looking to play at his cousins' new club.
Sammie
Spiritual practices that Annie is known for partaking in.
Vodou
Opposed to his acoustic guitar, Sammie is playing this kind of guitar at the end of the movie to show times have changed.
Electric
This is why vampires can't just walk into Club Juke.
They haven't been invited in
Name of the white woman who Stack had previous relations with before heading to Chicago.
Mary
This is who the main vampire is supposedly revealed to be at the end of the movie.
The Devil
This is the genre of music which the vampires twist the blues into.
Irish folk songs
Members of this nation try to warn the white couple of a vampire on the loose.
Native Americans
Name of the man who plays the blues on his harmonica and is tempted to play at Club Juke by Stack with Irish beer.
Delta Slim
This is how Sammie attempts to repel the vampire at the end of the film.
Reciting the Lord's Prayer (Our Father)
Song that Sammie plays to show he has combined Christianity and his love of music.
This Little Light of Mine
Besides draining blood - this is what the vampires are trying to drain from those at Club Juke.
Black culture
Name of the bouncer at Club Juke who mistakenly lets a vampire into the club.
Cornbread
The reason Stack's vampire couldn't bite Smoke.
Annies's protective hoodoo mojo bag
Smoke and Stack claim Sammie's guitar used to belong to this musician.
Charley Patton
The vampires of Stack and Mary offer this to an older Sammie at the end up the movie.
Immortality