Cinematography 1
HOW MUCH LIGHT REACHES THE LIGHT SENSITIVE MEDIUM IN THE CAMERA, FILM OR CMOS CHIP
Exposure
THE THE F-STOP NUMBER, THE BIGGER THE DIAMETER OF THE APERTURE
Smaller
The dynamic motion of the camera within a shot
Camera Movement
Focuses on one part of the subject or one particular element in the scene
Close Shot
SHOWS THE SUBJECT FROM A DISTANCE, OR THE AREA IN WHICH THE SCENE IS TAKING PLACE
Extreme Long Shot
THE THREE ASPECTS OF A CAMERA THAT AFFECT EXPOSURE ARE
Film Speed (ISO), Shutter Speed, Aperture
________ _______ IS EXPRESSED IN FRACTIONS OF A SECOND - 1/30, 1/60, 1/120, 1/240, 1/480
Shutter Speed
The people responsible for rigging all the stuff for camera movement
Grips
Roughly half of the subject(s) are visible in this shot
Medium Shot
SHOWS CHARACTER FROM HEAD TO TOES, WITH THE SUBJECT ROUGHLY FILLING THE FRAME
Full Shot
HOW SENSITIVE THE MEDIUM IN THE CAMERA IS TO LIGHT
Film Speed (ISO)
TWO ADDITIONAL FACTORS THAT CAN AFFECT THE CORRECT EXPOSURE ARE...
Depth of Field and Frame Rate
The head person in the "Grip" department
Key Grip
In this shot, all of the subject is visible, often along with a good portion of the surroundings
Wide Shot
FILLS THE SCREEN WITH PART OF THE SUBJECT, SUCH AS A PERSON'S HEAD/FACE
Close-Up
IN FILM SPEED, THE ______ THE NUMBER, THE MORE SENSITIVE THE SENSOR IS TO LIGHT
Larger
THE PARTS OF THE SCENE AROUND THE MAIN SUBJECT
Depth of Field
How much of the scene is visible by the camera
Field of View
When the camera is actively moving closer or farther away from the subject
Dolly Shot
SHOT TAKEN WITH THE CAMERA APPROXIMATELY AT HUMAN EYE LEVEL, RESULTING IN A NEUTRAL EFFECT ON THE AUDIENCE
Eye Level
THREE MAIN PARTS THAT FOCUS THE LIGHT ONTO THE EXPOSURE MEDIUM
The Front Glass, The Back Glass, The Iris
HOW MANY FRAMES IT PRODUCES, OR EXPOSES, PER SECOND
Frame Rate
The three basic categories of camera shot
Wide, Medium and Close
The camera remains stationary, but the camera operator uses the lens to zoom in on the subject
Zoom Shot
SHOT IN WHICH THE CAMERA IS SET AT AN ANGLE ON ITS ROLL AXIS SO THAT THE HORIZON LINE IS NOT LEVEL
Dutch Angle/Tilt