filming and editing
types of movies
crew
difficult vocabulary
randoms/varia
100

an abrupt transition from one scene to another

jump cut

100

a comedy that imitates or makes fun of an existing work(s) in an absurd, non-sensical way, and exaggerates its characteristics

parody

100

the lead or main character in a film; also known as hero/heroine; contrast to antagonist.

protagonist

100

a short publicity film, preview, or advertisement composed of short excerpts and scenes from a forthcoming film or coming attraction, usually two-three minutes in length; often presented at the showing of another film

trailer

100

dramatic ending, which often leaves the viewer unsatisfied, where the plot ending and the fate of the protagonist(s) are left unresolved. To be continued...

cliffhanger

200

an unmoving or immobile camera shot that is stationary, due to the use of a tripod

static shot

200

an excessively-sentimental or emotional film, usually with suffering female protagonists, tragic circumstances, manipulative scenes, and dramatic musical scoring.

chick-flick, tearjerker

200

... is used when needed skilled replacement for dangerous stunts.

stunt double

200

laid down for major ceremonies (film premieres, awards ceremonies) to signify an important, honorary event

red carpet

200

refers to an effect resulting from running film through a camera at faster-than-normal speed (shooting faster than 24 frames per second), and then projecting it at standard speed

slow-motion

300

a type of shot that tightly frames a person or object

close-up

300

refers to a derivative work (film or TV), either a sequel or a prequel which includes characters from the previous original product

spin-off

300

... is used for exposed close-ups, nude scenes and scenes requiring physical fitness.

body double

300

an actual error or mistake (misplaced action, or mis-spoken dialogue by a performer), usually embarrassing or humorous, made by a performer during filming.

blooper

300

the first official public screening of a movie, marking the kick-off, opening or opening night

premiere

400

the last shot of the day 

Martini shot

400

the common term used for films with sound (beginning in 1927), although rarely used currently.

talkie

400

physically similiar person to an actor used for lengthy preparation of a scene (the taking of light meter readings, camera setup, light adjustment, etc.) but not during filming.

stand-in

400

a short, concluding scene in a film in which characters (sometimes older) reflect on the preceding events

epilogue

400

anything in a film, usually following the film's high point, crescendo, or climax, in which there is an unsatisfying and disappointing let-down of emotion, or what is expected doesn't occur

anti-climax

500

refers to a camera technique created by  tracking backwards while simultaneously zooming in, making the person or object in the center of the image seem stationary while their surroundings change; aka contrazoom

vertigo effect, dolly zoom

500

a special-effects animation technique where objects, such as solid 3-D puppets, figures, or models are shot one frame at a time and moved or repositioned slightly between each frame, giving the illusion of lifelike motion

stop-motion (animation)

500

The pseudonym used by directors who refuse to put their name on a film and want to disassociate themselves

Alan Smithee 

500

a dramatic monologue delivered by a single actor with no one else onstage; sometimes expressed as a 'thinking aloud' dialogue of inner reflections; delivered by a character to him or herself, or directly to the audience

soliloquy

500

refers to a bit part (usually a brief, non-speaking or walk-on role that is uncredited or unbilled) or special screen appearance by a famous actor, director, or prominent person who would ordinarily not take such a small part

cameo

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