Shots
when the scale of the object shown is relatively large; most commonly, a person’s head seen from the neck up, or an object of a comparable size that fills most of the screen.
CLOSE-UP
A framing in which the scale of the object shown is relatively large; most commonly, a
person’s head seen from the neck up, or an object of a comparable size that fills most of the screen.
Meshes of the Afternoon (1943)
Rhythm in Transfigured Time (1947)
Maya Deren
A measure of light’s color, in degrees Kelvin (K). The two most commonly refered to color temperatures are Tungsten at 3200K and Daylight at 5600K
Color Temperature
Sally is making a movie. She inserts her sd card into the computer and opens premiere. Sally drags and drops the footage into the premiere timeline from the sd card and starts editing.
Sally comes back to the computer later to edit, without the sd card. What are her problems, and how should she solve it?
- move and organize the footage onto a stable device. She should NEVER edit off of an sd card.
- Re link the footage in premiere.
What are the frame rates of silent cinema (historically), sound film, video (generally).
16, 24, 29.9 (or 30).
A use of the camera lens and lighting that keeps objects in both close and distant planes
in sharp focus.
Deep Focus/ large depth of field
Something Between Us 2015
Razzle Dazzle 2014
A Joy 2005
Jodie Mack
Any sound (eg voice or music) that exists within the world of the film.
diegetic sound
Tim is in a fairly bright room. They are trying to film their friend cooking. However, their friends keeps moving around and going out of focus. What is a technical solution to this problem?
(hint.. how can you deepen your depth of field?)
try a higher fstop number, let in less light to the camera. This will give you a deeper depth of field.
What kind of editing software is premiere:
What kind of editing machine do you use for physical film: two types are acceptable answers.
digital, non-linear
Steinbeck, splicer.
The relationship of the frame’s width to its height.
Aspect Ratio
Man with a Movie Camera (1929)
Dziga Vertov
Yelizaveta Svilova
Mikhail Kaufman
or "Council of 3"
Fstops are a ratio of the camera/lens’ focal length to the diameter of the aperture. The lower
the f-stop, the larger the aperture, and the more light allowed into a camera. Therefore, in a dimly lit
room you will set [LOWER OR HIGHER??] to achieve a “proper” exposure.
F-stop increments are usually broken down in the following increments: 1.4, 2, 2.8, 4, 5.6, 8, 16, 22, 32.
lower
This word is both 1) A synonym for editing. (2) An approach to editing developed by the Soviet
filmmakers of the 1920s; it emphasizes dynamic, often discontinuous, relationships between
shots and the juxtaposition of images to create ideas not present in either shot by
itself.
MONTAGE
A camera movement with the camera body turning to the right or left. On the screen, it
produces a mobile framing that scans the space horizontally.
Pan
Fake Fruit Factory
Chick Strand
This is a setting on a digital camera that typically means setting a camera's color temperature so that white in camera looks like white in reality.
White Balance
The quality integral to an artwork that cannot be communicated through mechanical reproduction techniques – such as photography. The term was used by Walter Benjamin in his influential 1936 essay The Work of Art in the Age of Mechanical Reproduction.
Aura
The length of something in time
Duration
Music From the Edge of the Allegheny Plateau (2019)
Ike (2008)
Aquarius (2003)
Kevin Jerome Everson
Illumination cast onto the figures in the scene from the side opposite the camera, usually creating a thin outline of highlighting on those figures.
"BLANK is the aestheticization of politics. Communism responds by politicizing BLANK”
Fascism ... Art