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100

The path of a point that moves through space. It can be described in terms of width, direction,
movement, length, curvature, and even color.

Line

100

Style of art in which shapes, designs, textures, and colors are presented in a way that may
look unrealistic but that emphasizes moods or feelings. ______ art is characterized by the use of
geometric lines and shapes and bold, bright colors.

Abstract

100

Created by gluing bits of paper, fabric, scraps, photographs, or other materials to another surface.

Collage

100

The hue, value, and intensity of an object. The primary _____ are red, yellow, and blue; all examples of this
except white can be created from various blending of these three primaries.

Color

100

The relationship of the distance of objects in a composition, as in, for example, close up and far
away; the relationship of the size of one part to another or to the whole.

Proportion

200

A distinct spatial form depicted in two dimensions and created by lines or a change in color,
shading, or materials.

Shape

200

The outer edge of a two-dimensional shape that is most often defined by line; however an edge
may also be indicated by contrasts of value, texture, color, or a combination of these factors. The outer
edge of a three-dimensional form.

Contour

200

The interrelation, balance, and organization of all elements of an artwork to achieve a quality of
oneness, or a pleasing sense. (Note: composition can be pleasingly exciting, pleasingly disturbing, and
pleasingly tranquil and so on)

Unity

200

The relative lightness or darkness of tones or colors. For example, white and yellow have a light
_____; black and violet have a dark _____.

Value

200

Artful form of writing letters or words with brushes or pens, originated by the Chinese.

Calligraphy

300

A unit in an artwork that is defined or set apart by a definite contour; sometimes used synonymously
with shape, or used to refer to a shape that is depicted in three rather than two dimensions.

Form

300

Regular repetition of lines, shapes, colors, or patterns in a work of art.

Rhythm (movement)

300

Arrangement of design of elements of an artwork to achieve balance, contrast, rhythm,
emphasis, and unity and to make it an effective expression of the artist’s idea. The term also refers
generally to any work of art.

Composition

300

Parts of an artwork that lie in the distance and appear to be behind objects in the foreground.

Background

300

Significant degrees of difference between lines, colors, shapes, values, forms, and/or textures.

Contrast

400

The visual or actual area within and around shapes and forms. The positive of this defines the contents
of a shape or form, and is bound by edges or surfaces. The negative of this refers to the “empty” area
surrounding a shape or form, and also helps to define the boundaries of a shape or form.

Space

400

Shading done by drawing closely set parallel lines that crisscross. __________ is used to show contrast between light and shadow in drawings, paintings,    and engravings.

Cross-hatching

400

The arrangement of elements in a work of art in one of three ways: perfect symmetry (formal
_____), in which every element in the work is perfectly __________ against every other element;
asymmetry (informal _____), in which there is no one-to-one, every correspondence of elements; and
radial (from the center) in which elements are _______ around a center, as in a circular mandala design.

Balance

400

Straight lines or a series of parallel lines moving across the surface of a three-dimensional object, from ones outside edge of the object to the other.

Cross-contour

400

Pertaining to the artistic and beautiful; a perception that something pleases the eye.

Aesthetic

500

The look and feel of a surface, which may be described in such terms as rough, smooth, hard,
soft, scratchy, silky, fine, coarse, and so on.

Texture

500

A term that comes from the Italian word which means light and dark. In art, it refers to the
technique of applying subtly blended shades of gray to imitate the varying intensities of light and
shadow that occur when light is directed toward and reflected off three-dimensional forms.

Chiaroscuro

500

Way of showing depth and distance in a painting by using fading colors and hazy details to indicate objects in the distance.

Atmospheric perspective

500

The assortment of lines, colors, forms, shapes, or textures in a work of art.

Variety

500

The accent, stress, or importance of a part of an artwork. Opposing sizes, shapes, and lines.
Contrasting colors, closer detail, and intense, bright color are all used to __________, or draw attention
to, certain areas or objects in a work of art.

Emphasis

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