Cinematography
Sound Design
Mise-en-scene
Editing
Narrative
100

Horizontal rotation of the camera from a fixed spot.

Pan

100

Sound that comes from within the world of the story.

Diegetic

100

Movement of characters.

Blocking

100

The simple joining of two shots or two parts of the same shot.

Cut

100

Leading character

Protagonist

200

Camera is slightly tilted. Suggests instability, tension or altered states.

Dutch angle

200

How fast or slow is the sound.

Tempo

200

Dark lighting, emphasis on shadows.

Low key lighting

200

Moves the action backward in time. May represent memory of character.

Flashback

200

Scene lasts longer than the events it portrays.

Stretch relationship

300

Shot taken from the floor or ground level.

Worm's eye

300

All noise present in a given environment, background noise.

Ambient noise

300

Composition guideline that places your subject in the left or right third of an image.

Rule of thirds

300

Cut that goes from intense to quiet and vice versa.

Smash cut

300

Characters that possess very few personal, unique traits and behave in predictable ways.

Flat characters

400

Smoothly shifting focus from one plane to another. Shifts emphasis and creates significance in sharply-focused object. Can be used as a reveal.

Rack focus

400

Sound that contrasts strongly with the image that you see on screen.

Contrapuntal sound

400

Colors in the frame are based on a single color.

Monochromatic color palette

400

Two or more images that are placed on top of each other. All the top images are partially transparent (translucent), allowing the viewer to see through to the base layer. Indicates altered states, such as dreaming or remembrances.

Superimposition

400

An unexpected power or event saving a seemingly hopeless situation.

Deus ex Machina

500

Out of focus area, includes saturated colors and out of focus lights.

Bokeh

500

Creating and adding sound in post-production.

Dubbing

500

Lighting technique where light and dark are used together - the juxtaposition of the two.

Chriaroscuro lighting

500

Combination of metric, rhythmic and tonal montage.

Overtonal montage

500

Object, device, or event that is necessary to the plot and the motivation of the characters, but insignificant, unimportant, or irrelevant in itself.

MacGuffin

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