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100

to improvise stage business or conversation

ad-lib

100

acting role with very few parts

bit part

100

who and what are on stage when the curtain opens

at rise

100

to obstruct the view of the audience; use of ad-lib to cover an unexpected, unwanted event during a performance

cover

100

to stop action

cut

200

to emphasize a word or line with extra force

hit

200

last words, action, or technical effect that immediately precedes any line or business; a stage signal

cue

200

waiting for the audience to quiet down after a funny line or scene

holding for laughs

200

movement or sweep of the play as it progresses

pace

200

to break into the speech of another character

cut in

300

giving lines in such a way that another actor can make a point or get a laugh

feeding

300

getting behind furniture or other actors so that you cannot be seen by the audience

blocking yourself

300

movement in a direction opposite to a cross to balance the stage picture

countercross

300

placing furnishings, pictures, and similar items to complete and balance a set

dressing the stage

300

to draw the maximum response from the audience from comic lines or action

milk

400

What happened if you did not know your lines?

you were fined
400

emphasizing an idea

pointing lines

400

using dramatic devices such as increased tempo, volume, and emphasis to bring a scene to a climax

building a scene

400

acting role usually for comparison with the main character

foil

400

all the stage furnishings brought onstage by the actors

props

500

guilds were responsible for performing these types of plays

mystery

500

distinctive action that serves as a clue to a character's personality

master gesture

500

plays focused on the internal struggle between good and evil within individuals

morality

500

these plays depict the whole history of the Christian universe starting with creation and ending with the resurrection of Christ

cycle

500

dramatized lives of saints

miracle plays

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