PRE PRODUCTION
WE NEED THIS TO BEGIN MAKING A FILM.
WHAT DO WE CALL THE WORDS THAT ACTORS SAY IN A MOVIE?
DIALOGUE.
WHEN THE DIRECTOR SAYS THIS, EVERYONE MUST STOP TALKING.
QUIET ON THE SET.
THIS IS THE MAIN LIGHT THAT SHINES DIRECTLY ON THE SUBJECT.
THE KEY LIGHT.
WE HAVE GOLDEN ARCHES.
MCDONALD'S
WHO IS IN CHARGE OF THE FILM'S BUDGET?
THE PRODUCER.
THIS PART OF THE SCRIPT TELLS THE ACTORS WHAT THEY SHOULD BE DOING.
ACTION LINES.
BEFORE WALKING IN FRONT OF A CAMERA, YOU MUST SAY THIS.
CROSSING
THIS LIGHT IS USED TO REDUCE SHADOWS CREATED BY THE MAIN LIGHT.
THE FILL LIGHT.
PIZZA PIZZA.
LITTLE CAESAR'S.
THIS PRE PRODUCTION ITEM LOOKS LIKE A COMIC BOOK VERSION OF THE MOVIE.
THE STORYBOARD.
WHAT DOES EXT. MEAN?
EXTERIOR.
WHEN THE DIRECTOR SAYS "ROLL SOUND", THE BOOM OPERATOR SAYS THIS.
SOUND SPEED.
WHAT DO WE CALL A LIGHT PLACED BEHIND THE SUBJECT TO MAKE THEM STAND OUT FROM THE BACKGROUND?
BACKLIGHT OR RIM LIGHT.
WE HAVE SQUARE BURGERS.
WENDY'S.
THIS TYPE OF CALL INVITES ACTORS TO TRY OUT FOR YOU FILM.
A CASTING CALL.
HOW MANY PARTS MAKE UP A SCRIPT?
BEFORE TURNING ON A LIGHT, THE GAFFER MUST YELL THIS WORD.
STRIKING.
THIS COLOR REPRESENTS COLD LIGHTING.
WHITE OR BLUE.
MR. T LOVES THEIR ORANGE CHICKEN.
PANDA.
WHEN ACTORS GATHER TOGETHER TO READ THE SCRIPT, IT IS CALLED A WHAT?
A TABLE READ.
TRUE OR FALSE: THE HEADER HAS TO BE WRITTEN IN ALL CAPS.
TRUE.
WHEN WALKING WITH A SHARP OR LARGE OBJECT ON SET, ONE MUST REPEAT THIS WORD.
POINTS.
THIS COLOR REPRESENTS WARM LIGHTING.
ORANGE OR YELLOW.
THIS PLACE IS KNOW FOR THE SLOGAN "EAT FRESH".
SUBWAY.