Name the Secondary Dominant
A major: V7/ii
F#7
c minor: V7/iio
C#, E#, G#, B
A major: viio7/ii
c minor: viio7/iio
c#, e, g, bb
Define diatonic
Notes belonging to the key
C major: V7/IV
C7
Eb major: V7/IV
Eb, G, Bb, Db
C major: viio7/IV
eo7
Eb major: viio7/IV
g, bb, db, fb
The correct order of Roman numerals in major
I-ii-iii-IV-V-vi-viio
G major: V7/vi
B7
f minor: V7/VI
Ab, C, Eb, Gb
G major: viio7/vi
d#o7
f minor: viio7/VI
c#, e, g, bb
T or F: In minor, the one chord will sometimes be major
F
bb minor: V7/iv
Bb7
Db major: V7/IV
bb minor: viio7/iv
do7
Db major: viio7/IV
f, ab, cb, ebb
T or F: Secondary Dominants are a form of chromaticism
T
d minor: V7/iio
B7
E major: V7/ii
C#, E#, G#, B
d minor: viio7/iio
d#o7
E major: viio7/ii
e#, g#, b, d
What is the difference between tonicization and modulation?
Tonicization is temporary - modulation permanently brings us to a new key area