Form
Device A
Device B
Device C
Poets
100

A poem that does not follow a regular rhyme scheme or metre.

Free verse

100

The repetition of the same consonant sound at the beginning of nearby words (e.g., wild winds whistle).

Alliteration

100

A comparison between two things using like or as.

Simile

100

A comparison between two things that does not use like or as.

Metaphor

100

Author of Paradise Lost, one of the greatest epic poems in English literature.

John Milton

200

A Japanese poetic form consisting of three lines with a 5–7–5 syllable pattern.

Haiku

200

Giving human qualities or actions to non-human things.

Personification

200

The repetition of vowel sounds within nearby words (e.g., the deep green sea).

Assonance

200

A word that imitates the natural sound associated with it (e.g., buzz, clang).

Onomatopoeia

200

Romantic poet who wrote Ode to a Nightingale and To Autumn.

John Keats

300

A fourteen-line poem, often written in iambic pentameter, traditionally associated with love poetry.

Sonnet

300

The repetition of a word or phrase at the beginning of successive lines or clauses.

Anaphora

300

A contradiction in terms placed together for effect (e.g., deafening silence).

Oxymoron

300

A figure of speech in which a part represents the whole (e.g., hands meaning workers).

Synecdoche

300

Modernist poet who wrote The Waste Land

T.S. Eliot

400

A fourteen-line poem with three quatrains and a final rhyming couplet, often with a volta before the final section.

Shakespearean sonnet

400

A contrast between expectation and reality for literary effect.

Irony

400

The repetition of consonant sounds within or at the end of words (e.g., blank and think).

Consonance

400

An exaggerated statement used for emphasis or effect.

Hyperbole

400

Victorian poet who wrote The Charge of the Light Brigade.

Lord Tennyson

500

A narrative poem that often tells a dramatic story and traditionally uses a regular rhyme and rhythm.

Ballad

500

A reference to a well-known person, text, or event outside the poem.

Allusion

500

The repetition of the same word or phrase at the end of successive lines or clauses.

Epistrophe

500

A substitution of the name of one thing with something closely associated with it (e.g., the crown for a monarchy).

Metonymy

500

American poet known for The Road Not Taken.

Robert Frost

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