Story Elements
Acting & Rehearsal Elements
Design Elements
Types of Stages
Other
100

The main idea or underlying message of a play. It reflects the deeper meaning behind the characters’ actions and the story’s events

Theme

100

The final rehearsal where actors wear their costumes and all elements of the performance are put together, often performed in full as if it were a real show

Dress Rehearsal

100

A diagram or plan that details where lights are placed and their effects on stage, including changes in intensity and color throughout the performance

Lighting Plot

100

A type of stage that thrusts out into the audience; the audience surrounds 3 sides of the stage

Thrust

100

The imaginary barrier between the audience and the actors on stage. Breaking it means acknowledging the audience or interacting with them directly

Fourth Wall

200

The central struggle or problem faced by characters in a play. It drives the plot and helps to develop the story

Conflict

200

A rehearsal focused on integrating all technical elements (lighting, sound, set) with the actors’ performances to ensure everything works together seamlessly

Technical Rehearsal

200

A detailed plan that outlines what each character wears in each scene, helping to ensure consistency and appropriateness for the setting

Costume Plot

200

A type of stage where the audience surrounds the stage and the performers on ALL sides

In-The-Round

200

The transformation or growth of a character throughout the play. It shows how a character evolves in response to events and conflicts

Character Arc

300

The sense of anticipation or suspense in a scene, created through conflict, dramatic situations, or unresolved issues

Tension

300

Small actions or gestures that actors perform on stage to add realism or highlight character traits, such as adjusting clothing or handling props

Stage Business

300

The process of creating or selecting objects to be held and used by the actors that are not only functional but also aesthetically aligned with the play’s style and setting

Props Design

300

Traditional, front-facing stage; usually involves a curtain that opens and closes to reveal the picture on stage (think: picture frame or TV set; audience sits opposite of the stage)

Proscenium

300

The reasons behind a character’s actions and decisions. Understanding this helps actors portray characters more authentically

Character Motivation

400

The speed at which the action of a play unfolds. Effective pacing keeps the audience engaged and ensures that scenes transition smoothly

Pacing

400

A rehearsal technique where actors and crew go directly from one cue or technical element to the next, skipping through scenes to focus on transitions

Cue-to-Cue

400

The creation and arrangement of all auditory elements in a production, including background music, sound effects, and the acoustics of the performance space

Sound Design

400

An extended speech by 1 single actor, delivered to other characters or the audience

Monologue 

500

A recurring element, such as a theme, symbol, or action, that has significance in the play and contributes to its overall meaning or message

Motif

500

A performance style where actors work collaboratively as a group, emphasizing the importance of the collective performance rather than individual roles

Ensemble Acting

500

The lights that illuminate the audience area, typically dimmed or turned off when the performance begins and restored after the show

House Lights

500

A type of extended speech by 1 single actor where the character is alone, talking to themself, usually revealing the character's inner thoughts

Soliloquy
M
e
n
u