Acting Vocabulary
Theatre History
Character & Scene Work
Voice & Movement
Famous Plays & Playwrights
100

What is a monologue?

A long speech by one character in a play, film, or performance.

100

Who is known as the “Father of Modern Acting”?

Konstantin Stanislavski.

100

What is a backstory and why is it important?

A character’s history before the play starts — it helps actors understand motivation and behavior.

100

What is projection in acting?

Speaking loudly and clearly enough for the audience to hear without shouting.

100

Who wrote Romeo and Juliet?

William Shakespeare.

200

Define objective in acting.

A character’s goal or what they want to achieve in a scene.

200

In which country did Western theatre originate?

Ancient Greece

200

What’s the difference between internal and external character work?

Internal is emotional and psychological preparation; external is physical choices like voice, movement, and costume.

200

Why is articulation important?

It makes speech clear and understandable for the audience.

200

Name a famous play by August Wilson.

Fences, Ma Rainey’s Black Bottom, The Piano Lesson

300

What is subtext?

The underlying meaning behind a character’s words or actions — what they really mean but don’t say directly.

300

During which historical period did Shakespeare write?

The Elizabethan Era (late 1500s to early 1600s)

300

What does it mean to raise the stakes in a scene?

To increase the intensity, importance, or consequences of the situation for the character.

300

Name one voice warm-up and one body warm-up.

Voice: tongue twisters, humming, breath exercises. Body: stretches, shaking out, walking exercises.

300

What is the main conflict in A Raisin in the Sun?

A Black family struggles with racism, identity, and dreams while trying to improve their lives.

400

What’s the difference between blocking and staging?

Blocking is the planned movement of actors on stage; staging is the overall arrangement of actors, set, and action in a scene.

400

Name one of the three types of plays performed in Ancient Greece.

Tragedy, Comedy, or Satyr Play

400

Name two things actors should research when preparing a role.

The time period, setting, social class, relationships, or character’s background.

400

What is status and how can actors show it physically?

A character’s level of power or importance; shown through posture, space, eye contact, and movement.

400

Name one modern Broadway musical and its composer or lyricist.

Hamilton – Lin-Manuel Miranda 

Wicked – Stephen Schwartz 

Dear Evan Hansen – Pasek & Paul

500

What does it mean to stay in character?

Continuing to think, speak, and behave as your character would — even if something unexpected happens.

500

What was the purpose of the chorus in Greek theatre?

To comment on the action, provide background, and express public opinion or emotion.

500

What is a super-objective?

A character’s overall goal or driving desire throughout the entire play.

500

Explain the relationship between breath and emotion in acting.

Breath controls voice and connects to feelings — changes in breathing reflect emotional states.

500

What is the central theme of Arthur Miller’s The Crucible?

Mass hysteria, reputation, and the dangers of false accusations.

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