EYES
EARS
RULES OF PERCEPTUAL ORGANIZATION
DEPTH
MISC
100

THIS PART OF THE EYE ADJUST TO DISTANCE BY CHANGIN ITS THICKNESS

THE LENS

100

THIS NERVE TRANSMITS THE NERVE IMPULSE TO THE PROCESSING CENTER IN THE TEMPORAL LOBE

AUDITORY NERVE

100

THIS RULE OF PERCEPTUAL ORGANIZATON IS THE TENDENCY OF THINGS MOVING TOGETHER AS BELONGING TOGETHER

COMMON FATE

100

THIS MONOCULAR CUE FOR DEPTH IS THE TENDENCY TO SEE PARALLEL LINES CONVERGING IN THE DISTANCE

PERSPECTIVE

100

"HOW OFTEN DOES THE TRAIN GO BY?"

"SO OFTEN YOU'LL NEVER NOTICE THEM."

THIS RESPONSE IS AN EXAMPLE OF WHAT?

SENSORY ADAPTATION

200

THE RETINA CONTAINS TWO TYPES OF PHOTORECEPTOR NERVES. OF THESE WHICH PROVIDE COLOR VISION

CONES

200

CONDUCTIVE DEAFNESS OCCURS BECAUSE OF DAMAGE TO WHAT PART OF THE EAR?

MIDDLE EAR

200

THIS RULE OF PERCEPTUAL ORGANIZATION IS THE GROUPING OR ASSOCIATING OBJECTS TOGETHER BASED ON THEIR NEARNESS TO EACH OTHER

PROXIMITY

200

OF THE TWO BINOCULAR CUES FOR DEPTH WHICH WILL CAUSE YOUR EYES TO HURT?

CONVERGENCE

200

COMPLEMENTARY COLORS ARE WHAT-

COLORS ACROSS FROM EACH OTHER ON THE COLOR WHEEL

300

THIS PART OF THE EYE DETERMINES THE AMOUNT OF LIGHT THAT ENTERS THE EYE

PUPIL

300

THIS PART OF THE EAR VIBRATES WITH SOUND WAVES AND TRANSMITS THE VIBRATIONS TO THE THREE BONES OF THE MIDDLE EAR

EARDRUM

300

THIS RULE OF PERCEPTUAL ORGANIZATION IS THE TENDENCY OF PEOPLE TO THINK OF SIMILAR OBJECTS AS BELONGING TOGETHER

SIMILARITY

300

THIS MONOCULAR CUE FOR DEPTH IS THAT OBJECTS COVERING OR BLOCKING THE VIEW OF OTHER OBJECTS ARE CLOSER THAN OBJECTS BEING COVERED OR BLOCKED FROM VIEW

OVERLAPPING

300

THE ILLUSION OF MOVEMENT PRODUCED BY SHOWING THE RAPID PROGRESSION OF IMAGES OR OBJECTS THAT ARE ACTUALLY NOT MOVING AT ALL

STROBOSCOPIC MOTION

400

WHAT DO WE CALL THE PORTION OF THE ELECTRO MAGNETIC SPECTRUM VISIBLE TO THE HUMAN EYE

LIGHT

400

EVERY SOUND WAVE HAS TWO ASPECTS WE CAN HEAR. ONE IS LOUDNESS. WHAT IS THE OTHER-

PITCH

400

THIS RULE OF PERCEPTUAL ORGANIZATION IS THE TENDENCY TO PERCIEVE A COMPLETE OR WHOLE FIGURE EVEN WHEN THERE AR GAPS IN WHAT YOUR SENSES TELL YOU

CLOSURE

400

NAME EITHER OF THESE TWO MONOCULAR CUES FOR DEPTH ABOUT OBEJECTS THREE DIMENSIONAL SHAPES AND WHERE THEY ARE PLACED IN RELATION TO A SOURCE OF LIGHT

SHADOWS AND/OR  HIGHLIGHTS

400

THE WEAKEST AMOUNT OF A STIMULUS THAT CAN BE SENSED

ABSOLUTE THRESHOLD

500

THE MOST COMMON FORM OF COLOR BLINDNESS

RED GREEN
500

THE THREE BONES OF THE MIDDLE EAR ARE THE HAMMER, THE ANVIL AND THE WHAT

STIRRUP

500

WHAT SCHOOL OF PSYCHOLOGY CREATED THE RULES OF PERCEPTUAL ORGANIZATION

GESTALT

500

THE MOST COMPLICATED OF THE MONOCULAR CUES FOR DEPTH INVOLVES MOVEMENT. IT IS THE TENDENCY OF OBJECTS SEEMING TO MOVE FORWARD OR BACKWARD DEPENDING ON HOW FAR THEY ARE FROM THE VIEWER. THIS IS CALLED -

MOTION PARALLAX

500

NAME EITHER OF THE TWO MOVIES I SHOWED YOU USING FORCED PERSPECTIVE TO CREATE THE ILLUSION OF DIFFERENCES IN SIZE OR THE ILLUSION OF GREATER DISTANCE

LORD OF THE RINGS FELLOWSHIP OF THE RING

CASABLANCA

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