Storytellers & Tales
History & Place
Literary Focus
Key Concepts
First Reactions
100

These are traditional stories about gods, heroes, or how the world began.

Myth
100

The foreign practice of taking political control of a territory and exploiting it economically.

Colonialism

100

The genre of literature that focuses on personal stories of being held captive and then finding freedom.

Slave Narrative

100

The quality of being completely true to the customs and values passed down from one's ancestors.

Tradition

100

The emotional feeling the reader gets while reading a story.  

Mood

200

The name for stories passed down through spoken word instead of writing.

Oral Tradition

200

The period when countries gained their freedom and had to deal with the problems left behind by foreign rule.

Post-Colonial

200

The main problem or struggle that a character faces in a story.

Conflict

200

The goal of a character who is fighting to prove who they are or where they belong.

Identity

200

The author's underlying attitude toward the subject matter or the characters.

Tone

300

A character, often a small animal like a spider, who wins by being clever and sneaky.

Trickster

300

The policy of strict racial separation and oppression that was enforced in South Africa.

Apartheid

300

A term for when writers put songs, proverbs, or call-and-response into their written stories.

Oral Style or Orature

300

The state of being free from foreign political control.

Independence

300

When the main character or narrator speaks directly to the reader using "I" or "We."

First-Person (or Narration)

400

A short, wise saying that gives advice or a moral lesson.

Proverbs

400

The term for when two different ways of life like how African and European violently meet and oppose each other in a story.

Cultural Clash

400

The literary device where an author makes fun of or ridicules bad politicians or societal flaws.

Satire

400

The state of feeling like an outsider or that you don't belong, often felt by educated Africans who returned home from Europe.

Alienation

400

A term describing a character who acts as the primary opponent to the hero or protagonist.

Antagonist

500

A type of storyteller who sings histories and poems while playing a stringed instrument.

Griot

500

The main difference between the Village (tradition) and this setting (corruption) in many African novels.

City

500

A powerful literary technique where one thing in the story (like a river or a gun) stands for a much bigger idea (like freedom or danger).

Symbolism

500

The loss of hope or belief that things will get better in the newly independent nations, a common theme.

Disillusionment

500

The author's reason for writing the piece: to teach, to entertain, or to persuade.

Purpose

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