Channel Module
Monitor Module
Master Section
Signal Flow
Patchbay
100
This switch toggles between LINE and MIC input
What is I/P REV
100
The HF & LF EQ bands are this curve type
What is SHELVING
100
This control room source allows us to monitor the L/R Fader
What is ST MIX
100
This feeds signal to the channel fader
What is PREAMP
100
This patchbay point represents the output of the HDR
What is PLAY A
200
This activates the low cut filter
What is the FILTER IN button
200
Either of these Aux Sends are optimal for creating headphone mixes for our artists
What are Aux A & B
200
This solo mode is destructive
What is SIP
200
This receives its signal from Play A
What is MON A
200
This patchbay point sends a line level signal to a channel module
What is LINE IN
300
This activates the EQ
What is the EQ IN button
300
The monitor fader's pan control is located directly above this fader
What is the Group Fader
300
This Input Mode is standard for Tracking
What is MIC
300
This patch bay row receives its signal from the Group Fader
What is GROUP
300
This patchbay row is the output of the Group Faders
What is GROUP
400
These routing matrix assignments will send signal directly to the Stereo (L/R) Fader
What is L & R
400
These two selections must be made to properly set our monitor faders into preferred tracking mode?
What is MON TO MIX & FDR REV
400
This is the 24 TRK SELECT that the HDR is interfaced to
What is TAPE A
400
The monitor faders feed signal to this
What is the L/R Fader
400
These patchpoints represent the output of the L/R Fader
What is L MIX OUT & R MIX OUT
500
This button activates the insert on a channel
What is INS IN
500
This does not exist on the monitor faders (however, it does exist on the channel & group faders)
What is INSERT
500
This is the monitor mode we want to use while Recording & Mixing
What is TAPE
500
This feeds the Preamps on the channel modules
What is WALLBOX
500
These patchbay points are optimal for returning our Masterlink (2-track) signal
What are EXT L & EXT R
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