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100

brief but purposeful references, within a literary text, to a person, place, event, or to another work of literature. There are five main types: historical, mythological, religions, literary, and popular culture.

allusion


100

an elaborate metaphor that compares two things that are startlingly different. Conceit is a specific use of extended metaphor.

conceit

100

A form of language use in which writers and speakers convey something other than the literal meaning of their words. Examples include hyperbole or exaggeration, understatement, simile and metaphor, which employ comparison.

Figurative Language

100

uses sensory details to create a vivid and concrete description of a scene, object, person, or idea. It appeals to the reader’s senses of sight, sound, taste, touch, and smell, and is used to create a specific mood or atmosphere in a literary work.

imagery

100

a style of writing that portrays the inner (often  chaotic) workings of a character’s mind. The technique seeks to replicate the disjointed, fragmented, and often chaotic nature of the human mind.  

Stream of consciousness


200

An allegory is a story in which characters, events, and settings symbolize abstract or moral concepts from the real world. It is used to express large, complex ideas in an approachable manner.  Writers can distance themselves from political or societal issues --especially when what they are writing is a critique of these issues.

Allegory


200

The associations called up by a word that goes beyond its dictionary meaning. Connotation is commonly defined in contrast to denotation, a literary term that refers to the "dictionary definition," or the explicit and literal definition of a word or phrase. The word "swan," for example, denotes a swan. But what "swan" connotes is grace, beauty, love, and purity.

Connotation

200

a device that moves an audience from the present moment in a chronological narrative to a scene in the past. Flashbacks are often abrupt interjections that further explain a story or character with background information and memories.

Flashback

200
  1. involves placing two contrasting things or ideas side by side to highlight their differences or similarities. It can be used to compare and contrast characters, settings, themes, or ideas.

juxtaposition

200

 an object, action, or event represents a larger concept, idea or emotion.Symbols are used in literature to create layers of meaning and to convey themes, ideas, or messages. Symbols can be concrete or abstract.

symbol

300

a novel that follows a protagonist 'growing up' in some way – not just in age, but psychologically or morally.

Boldungsroman


300

is Latin for “a god from the machine.” It is when some new character, force, or event suddenly shows up to solve a seemingly hopeless situation.

Deus ex Machina

300

 a character who acts as contrast to another character.  A foil character, or character foil, is a character whose actions and traits contrast those of another character—often the protagonist.

Foil

300

a contradiction between what is said or done and what is actually meant or expected. It is often used to create a humorous, dramatic, or sarcastic effect, or to highlight a discrepancy between appearance and reality.

Verbal Irony: occurs when someone says one thing but really means something else.  

  

Situational Irony: takes place when there is a discrepancy between  what is expected to happen, or what would be appropriate to happen, and what  really does happen.  

irony

300

: the grammatical order of words in a sentence or line of verse or dialogue. It is the organization of words and phrases and clauses in sentences of prose, verse, and dialogue.

syntax

400

the process by which the writer reveals the personality of a  character.  

Indirect characterization:  the author reveals what the  character is like by describing how the character looks and dresses, by letting the reader hear what the character says, by revealing the character’s private thoughts  and feelings, by revealing the characters effect on other people (showing how other characters feel or behave toward the character), or by showing the character  in action. In other words: the character’s actions, speech, and thoughts.

Direct characterization:  the author tells us directly what the  character is like: devious, generous, self-centered, etc.

Characterization

400

 a way of speaking that is characteristic of a certain social group or of the  inhabitants of a certain geographical area.

Dialect

400

gives the audience hints or signs about the future. It suggests what is to come through imagery, language, and/or symbolism. It does not directly give away the outcome, but rather, suggests it.

Foreshadowing

400

 the atmosphere of a literary piece that creates an emotional setting that surrounds the reader. It is developed through various methods, including setting, theme, tone, and diction.

mood

400

 The implied attitude of a writer toward the subject and characters of a work. Compare tone to mood and understand the difference.

Tone

500

a trite, stereotyped expression; a sentence or phrase, usually expressing a popular or common thought or idea, that has lost originality, ingenuity, and impact by long overuse. Ex.: “strong as an ox,” “better safe than sorry.”

cliche

500

The selection of words in a literary work. A work's diction forms one of its centrally important literary elements, as writers use words to convey action, reveal character, imply attitudes, identify themes, and suggest values.

Diction


500

 a literary device that involves using exaggerated statements or claims to emphasize a point or create a dramatic effect. It is an intentional exaggeration that is not meant to be taken literally, but rather used to make a point or create a vivid image in the reader’s mind. Hyperbole can be used to express strong emotions, create humor, or to emphasize a particular point in a text.

Hyperbole

500

 a figure of speech that combines opposite or contradictory terms in a  brief phrase. Examples: “Jumbo shrimp.” “Pretty ugly.” “Bitter-sweet”  

oxymoron


500

 A is a statement that contradicts itself, or that must be both true and untrue at the same time.

Paradox

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