Tendency Tones
B in the key of C major and minor
Leading tone
V-I
Perfect Authentic Cadence
I in a major scale
Major
2 5ths or octaves going in the same direction and intervals at the same time
Parallel 5ths and octaves
When all notes are played at the same time and they are the same pitch they are performing in....
Unison
F in the chord G-B-D-F
7th
ii-V
Half Cadence
vi in a major scale
minor
In the key of C major B going down to A
Unresolved leading tone
When pitches go from one pitch to the next without skipping the motion is considered.....
conjunct
The direction and interval of the leading tone in good part-writing
Up a minor second to tonic
IV-I
Plagal Cadence
VI in a minor scale
Major
F-A-C-Eb and the Eb goes up to F
Unresolved 7th
Going from one chord to another is called a chord.....
Progression
The direction of the seventh of any chord
Dwon a second
V6-I
Imperfect Authentic Cadence
7th degree of a major scale
diminished
In harmonic minor
6th degree going up to the 7th degree
Augmented 2nd
The texture of unison is........
Monophonic
In Eb major the two tendency tones in a
V7 chord and what they must resolve to correctly
D must go to up to Eb
Ab must go down to G
IV6- V only in minor
Phrygian Half Cadence
The 2nd degree of a harmonic minor scale
diminished
When an accidental is in one part and you put the next accidental a half step away in another voice on the next beat.
example: beat 1 alto G
beat 2 tenor g#
Cross Relation
Name the next pitch in the Circle of Fifths
C G D A E.......
B