1
3
3
4
5
100

the
attribution of a personal
nature or human
characteristics to
something nonhuman,
or the representation of
an abstract quality in
human form

Personification

100

of or pertaining to the appearance of nature, without
idealization.

Naturalistic 

100

has length and width; a flat
(or nearly flat) surface.

2 dimensional

100

a solvent soluble binder that dries slowly, usually linseed oil.

Oil paint

100

Theory that suggests art is what the artworld recognizes as art.

Artworld Theory

200

A recurring fragment, theme or pattern that appears in
a work of art

Motif

200

an image that
is represented as being
ideal or perfected.

Idealized

200

the surface on which an artwork is created.


support

200

a fast drying water-soluble petroleum based painting medium.

Acrylic

200

the physical components of visual
art, the elements of design

Form

300

a figure of speech in which one thing symbolically stands for another, perhaps unrelated,
thing or idea.

Metaphor

300

in art, the property of
representing selected essential
features of a particular subject
instead of relying on objective
appearance alone.

Abstract

300

the material or substance an artist uses to create a piece, like paint

Medium

300

water soluble painting medium that uses gum arabic as binder

Watercolor

300

sculptural forms that are
penetrated by exterior space

Open Form

400

6 Categories of Art

-Representational
-Naturalistic
-Idealized
-Abstract
-Non-representational
-Non-objective

400

artwork which intentionally avoids the
strategy of representation,
instead selecting only novel and
original experience as subject
matter.

 Non-representational

400

1) the process of painting on dry plaster

2) the process of painting on wet or dry plaster. 

1) Fresco Secco

2) fresco

400

opaque water soluble paint

Gouache

400

the area occupied by a solid or filled
object.

Positive space

500

The use of signs or images which stand in for or take the place of something else.

Representational

500

unrelated to or exclusive of perceptions of
objective external reality

Non-objection

500

method of painting with pigments dispersed in an emulsion miscible with water

Tempera

500

painting process which uses wax as the binder

Encaustic

500

simulated illusion of texture usually on 2 dimensional art

implied texture

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