ART III MIDTERM

COLOR TYPES

100

BLUE AND ORANGE IS AN EXAMPLE OF WHAT

A) PRIMARY TRIAD

B) ANALOGOUS

C) SECONDARY COLOR

D) COMPLEMENTRY COLOR

D) COMPLEMENTRY COLOR

200

PRUPLE, BLUE, AND RED-VIOLET ARE EXAMPLES OF WHAT

A) COMPLEMENTARY       B) SECONDARY COLOR

C) PRIMARY COLOR         D) ANALOGOUS COLOR

D) ANALOGOUS COLOR

300

ORANGE, GREEN, AND VIOLET ARE EXAMPLES OF WHAT

A) SECONDARY     C) COMPLEMENTARY COLORS

B) PRIMARY           D) RELATED COLORS

A) SECONDARY

400

RED, YELLOW, AND BLUE ARE EXAMPLES OF WHAT

A) RELATED COLORS

B) PRIMARY TRIAD

C) SECONDARY COLORS

D) COMPLEMENTARY COLORS

B) PRIMARY TRIAD

500

RED AND GREEN ARE EXAMPLES OF WHAT

A) SECONDARY COLORS

B) PRIMARY COLORS

C) COMPLEMENTARY COLORS

D) ANALOGOUS COLORS

C) COMPLEMENTARY COLORS

COLOR WHEEL

100

COLORS THAT ARE NEXT TO EACH OTHER ONTHE COLOR WHEEL ARE WHAT

A) COLOR TRIEAD     C) COMPLEMENTARY COLOR

B) ANALOGOUS COLOR  D) INTERMEDIATE COLOR

B) ANALOGOUS COLOR

200

COLORS CREATED WHEN MIXING SECONDARY AND PRIMARY COLORS

A) COMPLEMENTARY    C) TERTIARY

B) ANALOGOUS            D) COLOR TRIAD

C) TERTIARY COLORS

300

COLORS THAT ARE ACROSS FROM EACHOTHER ON THE COLOR WHEEL

A) COMPLEMENTARY     C) INTERMEDIATE

B) ANALOGOUS             D) COLOR TRIAD

A) COMPLEMENTARY

400

3 COLORS THAT ARE EQUAL DISTANCE APART ON THE COLOR WHEEL

A) INTERMEDIAT    C) ANALOGOUS

B) COLOR TRIAD     D) COMPLEMENTARY

B) COLOR TRIAD

500

BLUE AND GREEN ARE EXAMPLES OF WHAT

A) INTERMEDIATE

B) ANALOGOUS

C) COLOR TRIAD

D) COMPLEMENTRY

B) ANALOGOUS

COLOR HUGH

100

THIS IS OBTAINED BY MIXING 2 PRIMARY COLORS

A) NEUTRALS

B) TINTS

C) SECONDARY COLORS

D) SHADES

C) SECONDARY COLORS

200

COLORS THAT GO WITH ALL COLOR PLANS- WHITE, BLACK, BROWN, AND GRAY

A) SHADES       C) SECONDARY

B) TINTS           D) NEUTRALS

D) NEUTRALS

300

THIS IS OBTAINED BY ADDING WHITE TO A HUE 

A) TINTS         C) SECONDARY

B) SHADES       D) NEUTRALS

B) TINTS

400

A HUE IS PRODUCED BY ADDING GRAY IS 

A) TINT

B) SHADE

C) TONE

D) NEUTRALS

C) TONE

500

A HUE PRODUCED BY ADDING BLACK IS 

A) TINT

B) SHADE

C) TONE

D) NEUTRALS

B) SHADE

ELEMENTS

100

_____ MAY BE REAL OR SIMULATED AS IN RUBBINGS OR DRAWNG WOOD GRAIN

A) SHAPE           C) VALUE

B) INTENSITY     D) TEXTURE

D) TEXTURE

200

_____ REFERS TO TEH BRIGHTEST OR DULLNESS OF A COLOR

A) VALUE     C) INTENSITY

B)  SHAPE     D) TEXTURE

B) INTENSITY

300

____ REFERS TO  LIGHTNESS OR DARKNESS OF COLOR

A) VALUE         C) SHAPE

B) TEXTURE      D) INTENSITY

A) VALUE

400

ORGANIC OR GEOMETRIC IS WHAT

A) TEXTURE

B) SHAPE

C) INTENSITY

D) VALUE

B) SHAPE

500

A PURE HUE SI AT ITS BRIGHTES RIGHT FROM THE BOTTLE

A) TEXTURE     C) INTENSITY

B) SHADE         D) TINTS

C) INTENSITY

COLOR/BALANCE

100

SELECTING COLORS FOR A COMPOSITION IS ALSO KNOW AS A \

A) COLOR MIX        C) COLOR SPECTRUM

B) COLOR RAY         D) COLOR SCHEME

D) COLOR SCHEME

200

WHAT TYPE OF BALANCE IS ALSO KNOW AS FORMA BALANCE

A) RADIAL        C) SYMMETRICAL

B) GEOMETRIC   D) ASYMMETRICAL

C) SYMMETRICAL

300

SECONDARY COLORS ARE OBTAINED BY MIXING 2 ______ COLORS

A) NUEATRAL      C) COMPLEMENTRY 

B) PRIMARY         D) TERTIARY

B) PRIMARY

400

ANOTHER WORD FOR BRIGHTNESS OF A COLOR IS 

A) INTENSITY

B) VALUE

C) COMPLEMENTRY

D) TEXTURE

A) INTENSITY

500

WHEN BOTH SIDES OF A COMPOSITION ARE BALANCED YET DIFFRENT THIS IS WHAT KIND OF BALANE

A) SYMMETRICAL      C) ASYMMETRICAL

B) GEOMETRIC           D) RADIAL

C) ASYMMETRICAL