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100

The Arnolfini Wedding painting, Jan van eyck, (1390)

Renaissance

100

Embankment at Tate Modern, London

Rachel Whitread, 2005


Installation Art

100


Rococo

The Interrupted Sleep (1750) by François Boucher

100

Cover of Jugend magazine,

Otto Eckmann (1896)


Art Nouveau


100

Man and Woman in the Street

Charles Angrand (1887)


Post Impressionism

200

Finnish Naturalist, Pioneers in Karelia

Pekka Halonen, 1900


Realism

200

The Lamentation of Christ,

Annibale Carracci, 1604

Baroque

200

John's Diner with John's Chevelle,

John Baeder, 2007


Photorealism

200

Cannons in Action, Gina Severini (1915)

Futurism

200

The City

Fernand Leger, 1919


Cubism

300

The Chrysler Building (1930)


Art Deco

300


Neoclassicism

Charles Towneley in his sculpture gallery

by Johann Zoffany; 1782

300

Dancer Taking a Bow (The Prima Ballerina), 1878

Edgar Degas


Impressionism
300

Untitled

Jean-Paul Riopelle, 1951


Abstract Expressionism


300

Women in the Meadow

Emile Bernard, 1888


Post Impressionism

400

The Treachery of Images

Rene Magritte, 1898-1967


Surrealism

400

ABCD (self portrait), a photomontage from 1923-1924

Raoul Hausmann


Dadism

400

Eruption of Vesuvius

J.C. Dahl, 1826


Romanticism

400

Adam Mickiewicz on the Ayu-Dag by Walenty Wańkowicz, 1828


Romanticism
400

Religious Procession in Kursk Province

Ilya Repin, 1880-1883


Realism

500

Brooklyn Bridge

Joseph Stella, 1919-20


Futurism

500

Corned Beef 2000

Michel Tuffery, 1994


Pop Art

This sculpture is called "Pisupo lua afe (Corned beef 2000)" and was built by Michel Tuffery in the year 1994. It was made from flattened corned beef tins that have been joined together with dozens of rivets.

500

Vanitas Still Life

Maria van Oosterwijck, 1668


Baroque

Vanitas Still Life's, which are associated with artists in Northern Europe in the 16th/17th centuries, depict objects with symbolic importance, which convert a narrative through their symbolism. These works are  meant to highlight the fragility and trasnscience of human life, depicting versions of mortality, as well as emphasize the emptiness and meaninglessness of worldly possessions.


500

Chair

Erich Dieckmann, 1925


Bauhaus

500

Louis Comfort Tiffany Lamp, 1900-1910


Art Nouveau

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