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Time Periods
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100

the material or tools used by an artist to create an artwork

medium

100

a period of art history from 1850 to 1950

Modern

100

a style of painting developed in France late in the Modern period of art history; the artists wanted to create impressions of light and color

Impressionism

100

(1) a flat surface—usually a piece of plastic or wood—on which artists mix their paints; (2) the range of colors used by an artist in a particular piece, including specific hues, tones, and shades that appear in a painting.

Palette

200

the feelings or emotions an artist wants viewers to experience

Mood

200

paintings from the era can be generally characterized by their bold and bright colors, their attention to balance and harmony, and—perhaps most notably—their use of linear perspective

Renaissance

200

the way the artist uses their paintbrush

Brushstrokes

200

the position or angle from which the viewer sees objects in a painting

Point of View

300

a painting of an outdoor view that features large areas of natural scenery

Landscape

300

paintings can be generally characterized by their bold and bright colors, their attention to balance and harmony, and—perhaps most notably—their use of linear perspective

Renaissance

300

colors such as black, white, and beige, which have neither a warm nor a cool effect in a painting

Neutral colors

300

a type of paint made by mixing pigments with linseed oil

Oil paint

400

a large artwork or painting typically created on a wall or ceiling

Mural

400

a style of painting developed in France in the early Modern period of art history. Artists took familiar objects from everyday life, broke them up into geometric figures.

Cubism

400

an emphasis on the artist's creativity, imagination, and personal vision 

Abstract

400

a technique that involves combining various materials, such as paper, photographs, fabric, and found objects, onto a flat surface to create a new composition

Collage

500

the entire body of work created by an artist throughout their lifetime

Oeuvre

500

typically noted for its dramatic movement and intense lighting

Baroque

500

a painting technique that uses strong contrasts between light and shadow to create a dramatic effect

Chiaroscuro

500

pairs of colors that are located at opposite ends of the color wheel, making them the most different from each other

Complementary colors

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