Figurative Language
Author's Style
Rhetorical Devices
Plot Elements
Point of View
100

a figure of speech involving the comparison of one thing with another thing of a different kind using like or as

Simile

100

The ideas or feelings associated with particular words

Connotation

100

dramatic, situational, verbal

Examples of irony

100

A universal main message

Theme

100

a narrative style where the story is told by a character within the story, using pronouns "I," "me," "my," or "we"

First person POV

200

A person, object, idea of action that stands for something else

Symbol 

200

Hinting at future events or outcomes in the story to create anticipation and suspense

Foreshadowing

200

The repetition of the initial consonant

Alliteration 

200

The point at which the conflict of the story begins to reach a turning point and begins to be resolved

Climax

200

a narrative style where a third-person narrator (using "he," "she," "they") is confined to the perspective, thoughts, and feelings of one character at a time

Third Person Limited POV

300

An intentionally exaggerated figure of speech

Hyperbole

300

When characters, events, and settings (in the ‘surface’ story) are used to represent abstract ideas or a moral/philosophical message

Allegory

300

An expression that means something other than the literal meanings of its individual words. I.e. It's raining cats and dogs.

Idiom 

300

The central character in a story

Protagonist 

300

a "godlike" narrative perspective where an all-knowing narrator has unrestricted access to all characters' thoughts, feelings, and motivations, as well as events happening simultaneously in different locations.

Third Person Omniscient POV

400

Involves the reader's five senses

Imagery

400

The Vehicle (person, animal, creation) that moves the story forward

Characterization

400

The struggle between two opposing forces that is the basis of the plot

conflict

400

The time and place in which the action of a story occurs

Setting

400

Uses the pronouns "you," "your," and "yours" to directly address the reader, placing them at the center of the action

Second Person POV

500

Giving human qualities, feelings, actions, or characteristics to inanimate objects

Personification
500

Historical, mythological, literary religious/biblical, cultural etc.

Allusions

500

A writer says one thing, but means something entirely different

Verbal Irony

500

The final unwinding, or resolving of the conflicts and complications of the plot

Resolution

500

"I could hear my heart pounding as I crept down the dark hallway, wondering if I had left the front door unlocked".

First Person POV

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