Isn't It Romantic?
Who Said It?
Frankenstein
To the Victorians Went the Spoils
Potpourri
100

This Romantic Era Poet wrote "Ozymandias," and "Ode to the West Wind" before dying at sea. His friends tried to to stage a funeral pyre, only to cause his corpse to explode.

Percy Shelley

100

“Generations have trod, have trod;/ And all is seared with trade; bleared, smeared with toil.”

Gerard Manley Hopkins

100

Frankenstein is an example of this genre, an offshoot of Romanticism.

Gothic Literature

100

This is the inspiration for the era's name of The Victorian Age.

Queen Victoria
100

This literary device describes an extreme exaggeration that serves to illustrate an author's point.

Hyperbole

200

This historical event significantly influenced British Romanticism, including its focus on freedom, emotion, and equality.

The French Revolution.

200

“And all her/ In one long yellow string I wound/ Three times her little throat around.”

Robert Browning

200

Mary Shelley wrote multiple layers of narrative from multiple perspectives in Frankenstein, creating a complex and layered story of this type.

A Frame Tale

200

Gerard Manly Hopkins used the word "charged" to describe a sense of the divine's presence in everything as a form of this.

Electric Current, or Electricity.

200

This poetic meter is composed of five sets of feet, which contain two beats per foot, that equals out to ten beats per line of poetry or verse.

Iambic Pentameter

300

This poet is considered one of the pre-Romantic poets who gave inspiration to the Romantic Era with his focus on everyday subjects and reverence for the natural world.

Robert Burns.

300

In his famous dramatic monologue, this poet urged readers, "To strive, to seek, to find, and not to yield."

Alfred, Lord Tennyson


300

The captain of the ship that Victor Frankenstien dies upon, before the Creature comes to see him one last time.

Robert Walton

300

This was the dominant literary form during the Victorian Era. It's popularity influenced the success of the newly created "dramatic monologues."

The Novel.

300

Romantic Poets and Victorian Poets alike appreciated this Italian poetic form, utilizing for poems such as "God's Grandeur," "The World is Too Much With Us," and "Ozymandias."

Petrachan Sonnet/Sonnet

400

The 1798 publication of this book is often considered the formal start of the Romantic Era.

William Wordsworth and Samuel Taylor Coleridge's Lyrical Ballads.

400

“Getting and spending, we lay waste our powers:/ Little we see in Nature that is ours;/ We have our hearts away, a sordid boon!”

William Wordsworth, "The World is Too Much With Us"

400

In Chapters 9 & 10, Victor meets the Creature, agreeing to speak with him in his hut on the top on this mountain in the Swiss Alps. This mountain also served as an inspiration for many Romantic era poets and painters.

Mont Blanc

400

This disease, used by Victorian Poet Robert Browning as inspiration, may have been the inspiration for early Vampire Myths.

Porphyria

400

This literary device used the repetition of vowel sounds to highlight certain lines of a poem, or to enhance the metric or aural quality of the compostion..

Assonance.

500

This later Romantic Poet was also a trained surgeon and apothacary. He suffered from Tuberculosis, and died in 1821. Though, not before published works such as "When I Have Fears That I May Cease to Be."

John Keats

500

"The trumpet of a prophecy! O Wind,

If Winter comes, can Spring be far behind?"

Percy Shelley, "Ode to the West Wind"

500

The Creature learned to speak and read French, as well as a basic history of Europe and Christianity, from this book that Felix DeLacey used to instruct Safie.

Volney's Ruin of Empires

500

This Greek Figure served as the inspiration for Alfred, Lord Tennyson's dramatic monologue, which focused on aging and the acceptance of age.

Odysseus

500

The subject of this early Romantic poem, composed with the help of an opium fever dream, was the thirteenth century Mongol ruler of the Yuan Dynasty, and grandson of Genghis Khan. Samuel Taylor Coleridge wrote it in 1797.

"Kubla Khan; or, A Vision in a Dream"

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