Liberation & Dates
Industry & Institutions
Politics & the Purge
Film Style & Storytelling
People & Culture
100

What year is generally identified as the Liberation of Paris and the beginning of post-occupation French reconstruction.

1944

100

Name one major French film company that still existed after the war.

What is Pathé or Gaumont

100

The French word for the postwar “purge” or cleansing of collaborators.

What is épuration?

100

After 1944, many films turned toward everyday life and working-class stories. What is this style called?

What is realism?

100

This film festival was created in 1946 to restore France’s cultural prestige.

What is the Cannes Film Festival

200

After the war, France wanted to rebuild its culture including this industry.

What is the Film industry 

200

To help French movies recover, the government restricted how many of these could be imported.

What are American films

200

Many artists were accused of this wartime behavior and faced bans or trials.

What is collaboration?

200

This 1930s movement, known for poetic and tragic tones, influenced post-Liberation style.

What is poetic realism

200

Name one French director active both before and after the war who symbolized continuity.

Who is Jean Renoir / Marcel Carné

300

Many filmmakers had to explain their wartime choices during this postwar “cleansing.”

What is the purge

300

The government began offering financial help for filmmakers. What were these supports called?

What are state subsidies / production grants?

300

What was one professional consequence filmmakers faced if judged guilty of collaboration?

Loss of jobs, blacklisting, or imprisonment.

300

Which foreign film movement, using real streets and non-actors, strongly influenced postwar French directors?

What is Italian Neorealism

300

Many critics admired American production quality but feared this cultural effect.

What is U.S. cultural dominance or loss of French identity

400

 Why does Williams argue that the Liberation wasn’t a total break from the Occupation period?

Many studios, workers, and institutional structures continued operating as before.

400

Why did the film industry need state protection after the war?

Because the French market was flooded by Hollywood imports and lacked capital.

400

Williams notes that the purge was uneven: some were punished, others forgiven. Why was judgment inconsistent?

Because moral, political, and economic interests all influenced decisions.

400

Williams says two main storytelling trends appeared: one focused on social conditions, the other on inner psychology. Name both.

What are social realism and psychological narrative

400

 Williams argues that rebuilding French cinema meant restoring national pride through what artistic value?

What is creative freedom or artistic identity

500

Williams says the Liberation years created a paradox: moral rebirth mixed with institutional inertia. What does this paradox reveal about postwar French society?

That moral ideals advanced faster than industrial reform society wanted purity, but old systems remained.

500

Williams shows that even after reform, the postwar film industry stayed tied to older business models. What does this suggest about France’s modernization process?

That modernization in film was slow and depended on prewar industrial continuity.

500

According to Williams, to truly understand the purge, historians must look beyond legal guilt to what two broader contexts?

What are political pressures and industrial structures

500

How did post-Liberation filmmakers use style to confront the moral memory of the Occupation?

By blending realism with allegory using ordinary settings to explore guilt, survival, and ethical ambiguity.

500

According to Williams, what deeper struggle did French filmmakers face after Liberation besides simply restarting production?

What is redefining the meaning of national identity and moral responsibility in film after years of censorship and collaboration

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