Chapter 19
Chapter 19
Chapter 19
Chapter 20
Chapter 20
100
1. Which of the following Renaissance churches influenced Maderno's design for Santa Su-sanna in Rome?
Il Gesù, Rome
100
1. One of the distinctive qualities of Francesco Borromini's architecture, visible in the façade of San Carlo alle Quattro Fontane, is ____.
its similarity to Greek temple design
100
1. Which city has been generally credited with the birth of the Baroque style?
Rome
100
1. The creation of which of the following allowed merchant firms to hold money on account instead of carrying precious metals as a form of payment for trade goods?
transfer merchandizing
100
1. In Jan Steen's The Feast of St. Nicolas the artist has captured the joy and chaos of Christmas holidays. He has also added a subtle satirical jab at adult society by using children and their behaviors to mirror adult behaviors. Which of the following behaviors did Steen allude to in this painting?
selfishness
200
1. Which of the following influenced Paul V's decision to convert the central plan of Saint Peter's into a basilican plan through the addition of a nave?
Central plan buildings evoked pagan temples
200
1. Caravaggio's Conversion of St. Paul presents the same dynamic emotion and dramatic reli-gious fervor with the use of eloquent pictorial devices and stage lighting in much the same way as in which of the following works of art?
Bernini's Ecstasy of St. Teresa
200
1. The Roman Catholic response to the Reformation was formulated at which of the following?
Council of Trent
200
1. In Rembrandt's Anatomy Lesson of Dr. Tulp, he has clustered the participants on the left side and has placed Dr. Tulp on the right side with the diagonally placed foreshortened corpse disrupting the strict horizontal, planar orientation. This is in sharp contrast to which of the following traditions of group portraiture?
The subjects were placed evenly across the canvas
200
1. Poussin was fascinated by ancient Rome and Italian Renaissance cultures. In his Et in Arcadia Ego that fascination has been translated into a visual text illustrating rational order and classicism. It is reminiscent of which of the following artists?
Raphael
300
1. Which of the following represents a symbolic function of Bernini's Baldacchino?
The columns invoke the Early Christian past.
300
1. As part of his training in art Annibale Carracci received instruction in the classical and Renaissance traditions as well as anatomy studies and life drawing. Which of the following styles would describe the style of Carracci?
a more classically ordered style
300
1. José de Ribera was most strongly influenced by the work of which of the following artists?
Caravaggio
300
1. In contrast to Catholic religious images Rembrandt's Return of the Prodigal Son can be said to be which of the following?
It is a painting of inward turning contemplation.
300
1. Reflected in Poussin's Et in Arcadia Ego, the dominant style in France during the Baroque period was ____.
classicism
400
1. Which of the following works by Bernini illustrates his mastery of perspective in architecture?
Scala Regia
400
1. Velásquez was the court painter for Philip IV. He accompanied the king to Fraga during the Aragonese campaign. While there he painted Philip's portrait, it is known as the Fraga Philip. Due to the dynastic inbreeding in the Hapsburg line, Philip inherited the Hapsburg jaw. How did Velásquez compensate for this "jaw" in the Fraga portrait?
He focused attention of the cloak and baldric worn by the king by making them shimmer.
400
1. Which of the following artists most influenced the work of Artemisia Gentileschi?
Caravaggio
400
1. In Judith Leyster's Self-Portrait she portrays herself as a confident, accomplished painter, seated in front of her easel working yet taking time to stop work and meet the viewer's eye. Unlike Rembrandt she does not portray herself in a painter's smock. Which of the following would account for this?
She wanted to indicate her social prominence.
400
1. How did Georges de la Tour eliminate dogmatic significance and traditional iconographic meaning in his Adoration of the Shepherds?
the absence of halos
500
1. Bernini's statue of David differs from previous generations of this depiction. His David seems to be moving through time and space. Which of the following would support this description?
The pivoting motion of the figure implies the movement through space and time.
500
1. How does Fra Andrea Pozzo create the illusion of Heaven opening above the heads of the congregation in the church of Sant'Ignazio?
He illusionistically continued the church's actual architecture into the vault so the roof seems to be lifting off.
500
1. The gallery ceiling in the Palazzo Farnese in Rome was arranged as framed easel paintings. Who was the artist?
Annibale Carracci
500
1. Rubens has synthesized the styles of three Italian artists in his Elevation of the Cross. Which of the following are those three artists?
Michelangelo, Tintoretto, and Caravaggio
500
1. Which of the following artists was most closely associated with the style known as classical Baroque?
Poussin
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