pages 143-147
pages 148-152
pages 153-157
pages 158-162
pages 163-168
100
What are some terms that researchers use as language of "opportunities to learn"?
Tasks, academic work,authentic intellectual work
100
What method did Tom use to generate ideas and gave his students a greater understanding for the task at hand?
By pooling ideas, the class was able to generate much more than they could individually.
100
What are the key components of Michael Medvinsky thinking of his teaching?
Power of music to connect, transform and change lives.
100
As Michael’s students became more comfortable with the melody, what did they do to it?
Revisions began emerging. Pg. 158
100
According to Shernoff, what is a teacher's role?
To design, create, and invent authentic and intellectually challenging work for students.
200
The term ______ is used to describe the natural force rather than the words "work" or "task".
Opportunities
200
What mathematical formula did Tom use for lago's character?
(Loving3+Gentle2)-(Jealous2+Insicure2) Foolish1+Vulgar1
200
What is the Music 2 Music program?
Students perform and create original music and songs to sell helping fund struggling music programs
200
What barriers has Michael broken with the Music 2 Save Music project?
The barriers between school music and real music. Pg. 159
200
What are the key vehicles for building understanding?
The use of "understanding performances"
300
Name three reasons why the word "opportunity" is used instead of " work" and "tasks".
•It directs our attention to what is actually present in any activity in terms of the required and afforded actions, rather than to the product that students will produce. •It keeps us focused on building learning-oriented rather than work-oriented schools. •Opportunities come in many shapes and sizes, and a "task" is only an opportunity of a particular size and duration.
300
What did some students make their graphs about?
Their Family's migration history
300
What is the stage that Peter Woods sees the students at in there empowering educational event?
Divergence stage
300
What is the key dimension that will determine the level of engagement and learning of any opportunity presented in the classroom?
Complexity Pg. 162
300
How can teachers increase the likelihood that students will view an assignment as worthwhile?
When students are able to see the purpose behind the task.
400
When teachers do not have the right vehicles in the classroom, what happens to learning?
Learning slows down, loses momentum, and in some cases comes to a standstill, producing parking lots rather than speedways.
400
What two questions does David have up on the board for his class when they walk in?
Why do people migrate? What are the impacts of migration?
400
In allowing students greater control of the process how is the class changing?
There is an ownership and craftsmanship of the songs
400
The opportunities we create as teacher differ on three distinct dimensions, they are:
Duration, format, and complexity Pg. 160
400
If a thought process does not come naturally to you, what can you do?
Engage colleagues to collaborate & examine the ideas you are creating.
500
While the two students are reading their parts, what questions does Toms ask the class?
"What's worth commenting on the passage? What do you notice? What do you see in the language?"
500
What is the "Three day migration story project"?
What they learned about migration.
500
what is the outline structure of song writing structure?
Inspiration, Big Idea, Lyrics, Chorus, Verse, Keeping the same genre
500
Identify the 6 stages that events progress through.
Conceptualization, preparation, divergence, convergence, consolidation, celebration Pg. 161
500
In Doyle's findings, the classrooms were primarily _____.
work oriented
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