100

Name the primary colors on a color wheel. (Hint - There are three)

Red, Yellow, and Blue.

100

Name the secondary colors on the color wheel. (Hint - there are three)

Orange, Green, and Violet

100

This tool is represented by an abstract illustrative organization of color hues around a circle, which shows the relationships between primary colors, secondary colors, tertiary colors.

Color Wheel

100

This is a set of guidelines for mixing, combining, and manipulating colors.

Color Theory

100

Another name for color.

Hue

200

This is created when black is added to a hue.

Shade

200

Colors positioned directly across from one another on the color wheel.

Complementary Colors

200

This is created when white is added to a hue.

Tint

200

This is created when gray is added to a hue.

Tone

200

Can be used to describe or measure how much light can pass through an object affecting the level translucency.

Opacity

300

These are color combination schemes that create pleasing contrasts and consonances. Examples include complementary colors, split-complementary colors, color triads, or analogous colors.

Harmony or Color Harmonies

300

Each of these is made from mixing equal amounts of two different primary colors.

Secondary Colors

300

This is how light or dark a color/hue is. For example, the lighter a color, the closer to white it is. It represents a color's relative lightness or darkness or grayscale and it’s crucial for creating contrast and depth in visual art.

Value

300

The perceived hue/color in relationship to its brightness. Lighting conditions can affect the influence of how “weak” or “strong” a color is. Think chroma + value.

Saturation

300

These are colors without a predominant hue. They can be muted shades that appear to lack color but often have underlying hues that change with different lighting.  

Neutral Colors

400

Each of these is made from mixing two secondary colors, such as mixing green and violet.

Tertiary Colors

400

An attribute that expresses the purity of a color, measured by the level of vividness or perceived intensity.

Chroma or Chromaticity

400

Generally, these are colors that do not overpower in hue and appear to recede or go back in space. They can be used to describe any color that is calm or soothing in nature and can typically make a space seem larger.

Cool Colors

400

A color scheme where three colors equally separated on the color wheel are selected.

Triadic

400

A color scheme where combinations of two complementary pairs of colors with none of the colors being adjacent on the color wheel.

Tetradic

500

A Color scheme that uses a single hue with varying shades tints and tones to produce a consistent look and feel, with lighter and/or darker variations.

Monochromatic

500

Generally, these are colors that seem vivid or bold in nature and appear to advance, or come forward to the viewer. They can make an area feel closer and more intimate and create a sense of energy or excitement.

Warm Colors

500

A color scheme where one color and its adjacent colors are selected on the color wheel. Two or more colors that are side-by-side on the color wheel are typically selected and can create harmony.

Analogous Colors

500

A color scheme that involves a base color and a couple of secondary colors. You can find it by first choosing a base color, then find its complement or the color directly across the color wheel from it. Then to find the two other colors, you identify the two evenly spaced colors directly adjacent to the base color’s complementary color. Base + adjacent complement + adjacent compliment.

Split Complimentary

500

A color scheme used to describe the absence of any hue. Examples can include black and white, black and gray, gray and white, or black, gray and white.

Achromatic

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