Classical Theories
Settings in Crime fiction
Psychological Theories
True Crime
Crime in fiction
100

The feeling that one tries to achieve when reading- watching crime, to escape from their own life for a moment.

Escapism

100

Writers may use these ups and downs to keep the story exciting.

Twists

100

This term refers to someone who shows no empathy, guilt, or remorse—often linked with violent offending.

Psychopath

100

Known as the “Killer Clown,” he performed at children’s parties—and buried victims in his crawl space.

John Wayne Gacy

100

This loyal doctor is Holmes’s best friend and the narrator of most stories.

Dr. Watson

200

Classical theory says people choose to commit crimes based on this.

Free will

200

This fictional serial killer has a code of only killing other killers.

Dexter Morgan

300

Classical theory assumes people commit crimes after this kind of decision-making process.

Rational choice

300

This small-town setting is often used to contrast with the horror of a murder.

idyllic village or town

300

Freud’s theory suggests crime may result from a weak or overpowered version of this part of the psyche.

Superego

300

This unidentified serial killer sent cryptic letters to newspapers and was never caught in California.

The Zodiac Killer

400

This 1866 Russian novel explores the psychological torment of a man who commits murder to test a theory.

Crime and Punishment

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