W;t (Technique, Effect)
Donne (Poem, Technique, Effect)
Donne & W;t (Bringing the Texts Together)
Merchant (Act/Scene, Technique)
Merchant (Who, Act/Scene, Technique)
150

“And death shall be no more, Death thou shalt die.”

  • Technique: Intertextual quotation (Donne); paradox
  • Effect: Reinforces the play’s thematic exploration of mortality and redemption through Donne’s metaphysical poetry.
150

“Busy old fool, unruly Sun”

The Sunne Rising

Personification

Challenges cosmic authority, asserting the supremacy of love.

150

How do W;t and A Valediction: Forbidding Mourning portray love as transcending physical presence?

Both texts align in presenting love as spiritual and enduring—Donne uses metaphysical conceit (“Like gold to airy thinness beat”), while Vivian realises emotional connection matters more than intellect.

150

This technique is used when Antonio says, “I know not why I am so sad,” to open the play.

Tone

Act 1, Scene 1

150

“The quality of mercy is not strained.”

Portia

Act 4, Scene 1

Metaphor, personification, biblical allusion

Paradox – Portia speaks of mercy while manipulating the law to punish Shylock.

300

“I’m a scholar. I use my wit to defend myself.”

  • Technique: Pun (title reference); characterisation
  • Effect: Shows how Vivian’s identity is tied to intellect, and how this becomes insufficient in the face of death.
300

“Like gold to airy thinness beat”

A Valediction: Forbidding Mourning

Simile; conceit

Illustrates enduring love through delicate imagery.

300

How does W;t align with Hymne to God, My God, in My Sicknesse in their treatment of suffering and faith?

Both texts present suffering as a path to spiritual insight—Donne’s paradox (“the Lord throws down”) mirrors Vivian’s acceptance of vulnerability and grace.

300

The three caskets represent this technique, symbolising deeper moral lessons.

symbolism, metaphor

Act 2, Scene 7

300

“So do I too, if it be not too much.”

Gratiano

Act 2, Scene 2

Irony, wit

Inconsistency – Gratiano mocks seriousness but later becomes deeply involved in serious matters.

450

“I made a profession of being hard.”

  • Technique: Metaphor; characterisation
  • Effect: Reveals Vivian’s emotional armour and the cost of intellectual pride.
450

“My pilgrimage’s last mile”

This is my Playes Last Scene

Metaphor

Frames death as a spiritual journey’s end.

450

What technique do both Donne and Edson use to explore faith and mortality?

Paradox—Donne’s “Death, thou shalt die” and Vivian’s “I’m learning to suffer” both reflect complex emotional and spiritual transitions.

450

This technique is used when Shylock says, “Cursed be my tribe / If I forgive him!”

Foreshadowing

Act 1, Scene 3

450

“I am never merry when I hear sweet music.”

Jessica

Act 5, Scene 1

Irony, juxtaposition

Inconsistency – Jessica’s sadness contrasts with the romantic setting, suggesting inner conflict

600

“Now is a time for simplicity. Now is a time for, dare I say it, kindness.”

  • Technique: Juxtaposition; tone shift
  • Effect: Highlights Vivian’s emotional transformation and the inadequacy of intellectualism in the face of mortality.
600

“Teach me how to repent”

At the round earth’s imagined corners

Imperative; religious tone

Expresses urgency for spiritual preparation

600

How does Holy Sonnet X align with W;t in its portrayal of death?

Both texts diminish death’s power—Donne personifies and mocks death, while Vivian finds peace in simplicity and kindness at life’s end.

600

Jessica’s line “I am never merry when I hear sweet music” uses this technique to contrast mood and setting.

Juxtaposition

Act 5, Scene 1

600

“Let me have judgment and the law.”

Shylock

Act 4, Scene 1

Legal diction, imperative tone

Paradox – Shylock demands justice but is denied it through a technicality.

750

“The insistent bell, the harsh light.”

  • Technique: Sensory imagery
  • Effect: Emphasises the clinical, dehumanising hospital environment, contrasting with Vivian’s internal suffering.
750

“Why are we not forgiven?”

Holy Sonnet IX – If Poysonous Mineralls

Rhetorical question

Expresses frustration with divine judgement.

750

How does Holy Sonnet IX collide with W;t in its questioning of divine justice?

Donne’s speaker challenges God’s fairness (“Why are we not forgiven?”), while W;t subtly critiques institutional coldness rather than divine judgement.

750

This technique is used when Portia says, “A Daniel come to judgment!” in the courtroom.

Biblical allusion

Act 4, Scene 1

750

“The devil can cite Scripture for his purpose.”

Antonio

Act 1, Scene 3

Allusion, irony

Paradox – Antonio condemns hypocrisy while being hypocritical himself.

900

“Nothing but a breath—a comma—separates life from life everlasting.”

  • Technique: Intertextual reference to Donne; metaphor
  • Effect: Connects Donne’s theological ideas to Vivian’s experience, reinforcing the play’s central intertextual dialogue.
900

“One short sleep past, we wake eternally”

Holy Sonnet X – Death be not proud

Euphemism; religious imagery

Suggests death as a transition to eternal life.

900

How does At the round earth’s imagined corners collide with W;t in its tone?

Donne’s poem is urgent and dramatic in its call for repentance, while W;t is more introspective and subdued in its approach to mortality.

900

This technique is used when the audience knows Portia is disguised as a man, but the characters do not.

Dramatic irony

Act 4, Scene 1

900

“I am a tainted wether of the flock.”

Antonio

Act 4, Scene 1

Biblical allusion, metaphor

Anomaly – Antonio sees himself as a sacrificial figure, evoking sympathy despite his flaws.

1000

“She’s research. 

She’s a patient.”

  • Technique: Juxtaposition; objectification
  • Effect: Critiques the medical system’s prioritisation of research over compassion.
1000

“Therefore that he may raise, the Lord throws down”

Hymne to God, My God, in My Sicknesse

Paradox; religious imagery

Suggests suffering as a path to salvation.

1000

How does This is my Playes Last Scene mirror Vivian’s final moments in W;t?

Both texts use theatrical metaphors to frame death—Donne’s “playes last scene” and Vivian’s metatheatrical comment “I think I die at the end” reflect awareness of life’s performance.

1000

This technique is used when Lorenzo says, “How sweet the moonlight sleeps upon this bank!”

Personification

Act 5, Scene 1

1000

“My little body is aweary of this great world.”

Portia

Act 1, Scene 2

Juxtaposition, hyperbole

Paradox – Portia is wealthy and powerful, yet feels powerless and burdened.

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