Name Dropping
Subgenres II: The Sequel
Getting Structural
A Bit of History
Potpourri
200

In Take Shelter, Curtis’s troubled relationship with Samantha and Hannah and his traumatic childhood with his schizophrenic mother exemplify how the film can be classified as this subgenre

The family melodrama

200
This is a subgenre of contemporary horror films depicting serial killers, largely thought to have originated with Psycho​​​​

The slasher

200

The maze is the defining narrative and stylistic feature of this genre

Thriller

200

Shockingly, this genre is set during the settling of the American West and depicts a quest or frontier life

Western

200

This is a sub-subgenre of slapstick comedy that portrays comic teams engaged in male bonding

The buddy comedy

400

Films such as the Saw franchise, Evil Dead Rise, and Hostel, in which the psychology of a character takes second place to the depiction of graphic violence, are examples of this subgenre

Physical horror film

400

If a film contains physical humor and stunts like pratfalls and a topper, a protagonist who is obviously unsuited for romance, and a dynamic of the little guy versus the big guy, it is most likely this subgenre

Slapstick comedy

400

This is a common narrative structure in the rom/com, which features scenes centering one character that alternate with parallel scenes centered on the other

Dual focus

400

Movies like Cloverfield are holdovers from a cycle of films from the 1930s in which monsters play a major role, known by this cutesy name

Creature feature

400

In FernGully, Batty represents the social evils of animal testing and human experimentation on their fellow creatures. As such, he can be classified as this kind of character

An archetype

600

Movies like The Producers or Tick, Tick…Boom, which center around the production and performance of a musical show, are examples of this subgenre

Theatrical musical

600

Movies like The Defiant Ones are this subgenre of the melodrama that extends its reach to include larger historical, community, economic, and racial issues

Social melodrama
600

The naturalized use of violence is a defining feature of which subgenre of the Western?

Political Western

600

This is a cycle of films made after World War II that focused on broader cultural issues and social ills and as such is distinguishable by its subject matter

Social problem film

600

This is the major difference between the ending in a rom-com and the ending in a romance film

A rom-com guarantees a happy ending, but the romance film doesn't

800

Films like Stagecoach and The Great Train Robbery, which concentrate on action and movement with a heroic character on a quest, are examples of this subgenre

The epic Western

800

If a movie features a spiritual evil that erupts in the human realm, it is this subgenre

Supernatural horror film
800

This genre injects magic into ordinary situations

Fantasy

800

Science fiction films originated with the early trick films of this French director

Georges Méliès

800

Blocking elements like class differences for Jack and Rose in Titanic serve this purpose in the film

To show how love can overcome differences

1000

If a film starred an actor like Matt Damon or Cary Grant as an unwilling victim of a labyrinthine plot, it would likely be this genre

A thriller

1000

If a Western film communicates a more introspective worldview, in which the traditional hero is troubled by his changing social status and the frontier is more populated and civilized, then it is this subgenre

Existential Western

1000
Disdain for traditional gender roles is a key feature of which subgenre of the comedy?

Screwball comedy

1000

This is why there were no musicals before 1927

There was no technology for synchronized sound

1000

An exclusive grouping of social problem films only includes serious, realistic dramas set in contemporaneous times. An inclusive grouping would include these other types of films

Parodies and historical films

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