The Actor
The Designer
Performance Studies
Musical Theatre/Wicked
Wild Card
100

THIS concern of the actor describes why your character wants what they want.

Motivation

100

THIS type of designer delivers set models.

Scene or Scenic Designer

100

According to Shana Komitee's definition of Performance Studies the only common denominator of the field is THIS: Performance Studies scholars study ________. 

Performance

100

THIS is type of musical that follows a plot structure

Book Musical
100

THIS is the amount of sources your group needs to utilize/cite for the final project

Ten

200
In this type of theatre performance, the actor must often improvise, draw in and guide the audience through their active participation, and project across large, often non-traditional theatre spaces.

Immersive Theatre

200

WHICH of the following statements is true? 

The set designer needs to know the type of theatre space they're designing for to make the world of the play come to life.

The set designer does not need to know the type of theatre space they're designing for to make the world of the play come to life. 

Needs to know! It's a *must*

200

THIS is the musical we used as a case study in class to consider how theatre studies vs. performance studies asks questions of performances. 

Hamilton

200

THIS is considered the first golden age musical 

Oklahoma! 

200

THIS is an altered or amended version of a text, musical composition, etc., (now esp.) one adapted for filming, broadcasting, or production on the stage from a novel or similar literary source. 

Adaptation

300

THIS actor famously trained with Stella Adler, and a video of her chastising him was shown in class.

Mark Ruffalo

300

The designer must read the script THIS many times to nail down specific details about the world of the play that must be incorporated into the design. 

Three

300

THIS is the power of language to effect change in the world.

Performativity

300

THIS is the term we use to describe a play where there is music incorporated into the story, but the music is often more decorative in its usage and does not drive the plot forward 

Play with music 

300
Your Performance Review is due on THIS date

December 8th 

400

THIS practitioner's acting technique is based on the following stance: emotions come from truthful responses in the present moment, rather than memory. Who is the practitioner?

Sanford Meisner

400

THIS was what the dancers in the library during "Dancing Through Life" navigated; also the central image Eugene Lee used to make his Broadway set for the musical. 

Gears
400

THESE are the two strands of Performance Studies (where the discipline emerges from, two universities)

NYU and Northwestern

400

THIS is the "I want" song from Wicked

The Wizard and I

400

Jane Barnett's dramaturgical question: instead of "why this play now," she asks THIS. 

Why this witch now?

500

What phrase describes the ability to imagine oneself in a set of given circumstances, and who coined the phrase? 

'The Magic If' and Konstantin Stanislavski 

500

The costume designer of Wicked on Broadway, Susan Hilferty, used feathers to indicate THIS for her characters in Oz.

Status

500
Of the two founders of Performance Studies, according to lecture, THIS is the founder who is trained formally as an anthropologist. 

Victor Turner

500

THIS adaptation of L. Frank Baum's The Wonderful Wizard of Oz premiered on Broadway in 1902

The Wizard of Oz: Musical Extravaganza

500

According to Professor Farooqi's lecture, we can think of the witch's hat as THIS (an important facet of adaptation wherein something is "written over" as it were). 

Palimpsest

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