Types of Theatre
People
Actions
Nouns
Miscellaneous
100

Almost anything brought to life by human hands to create a performance. Types of puppets include rod, hand, and marionette

Puppetry

100

A person, male or female, who performs a role in a play or an entertainment.

Actor

100

The art and technique of bringing the elements of theatre together to make a play.

Directing

100

The stage representation of an action or a story; a dramatic composition

Play

100

The highness or lowness of the voice

Pitch

150

The imitation or representation of life performed for other people; the performance of dramatic literature; drama; the milieu of actors, technicians, and playwrights; the place where dramatic performances take place.

Puppetry

150

A person, a situation, or the protagonist's own inner conflict in opposition to his or her goals.


Antagonist

150

The planning and working out of the movements of actors on stage

Blocking

150

The stage area toward the audience

Downstage

150

Detailed information revealing the facts of a plot

Exposition

200

A dramatic form popular in the 1800s and characterized by an emphasis on plot and physical action (versus characterization), cliff-hanging events, heart-tugging emotional appeals, the celebration of virtue, and a strongly moralistic tone

DAILY DOUBLE

Melodrama

200

The backstage technical crew responsible for running the show. In small theatre companies the same persons build the set and handle the load-in. Then, during performances, they change the scenery and handle the curtain.

Stage crew

200

A rehearsal moving from start to finish without stopping for corrections or notes.

Run through

200

A long speech by a single character.

Monologue

200

The clear and precise pronunciation of words

Articulation

250

A professional form of theatrical improvisation, developed in Italy in the 1500s, featuring stock characters and standardized plots.

Commedia dell'arte

250

The director's liaison backstage during rehearsal and performance. Responsible for the running of each performance

Stage Manager

250

To steal the focus of a scene

Upstage

250

The point of highest dramatic tension or a major turning point in the action.

Climax

250

Memories of sights, sounds, smells, tastes, and textures. It is used to help define a character in a certain situation. 

Sense memory

300

The final few rehearsals just prior to opening night in which the show is run with full technical elements. Full costumes and makeup are worn.

Dress Rehersal

300

A group of theatrical artists working together to create a theatrical production.

Ensemble

300

A reading of a script done by actors who have not previously reviewed the play

DAILY DOUBLE

Cold Reading

300

Information that is implied by a character but not stated by a character in dialogue, including actions and thoughts

Subtext

300

The purification or purgation of the emotions (as pity and fear) caused in a tragedy

DAILY DOUBLE 

Catharsis

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