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100

The science of sound as applied to theaters, relating to how sound travels and reverberates.

Acoustics

100

Out-of-place laughter by an actor on stage

Breaking-up

100

The start of a performance, whether or not an actual curtain exists in front of the stage

Curtain up

100

The area of the stage closest to the audience

Downstage

100

A speech used by an actor to demonstrate his or her ability at an audition

Monologue

200

As a noun, the opportunity for an actor to display his or her talents when seeking a role in an upcoming production of a play

Audition

200

A request that an actor return for an additional audition

Call-back

200

The lower part of the lungs, filling the abdominal space, that supports the voice when actors and singers breath correctly on stage

Diaphragm

200

A theatrical production that fails to draw an audience, regardless of whether the critics liked it or not

Flop

200

When an actor knows his or her lines and no longer needs to carry the script

Off-book

300

The entire area behind the stage of a theater, including dressing rooms

Backstage

300

An audition open to anyone, regardless of experience

Cattle call

300

Clear, sharp pronunciation of words, especially of consonants

Diction

300

An actor who gives a very broad or exaggerated performance

Ham

300

The area immediately behind or to the sides of the stage area; also used more genenally to talk about an actor's everyday life

Offstage

400

Stage movements by actors, including entrances, exits, and any steps taken in any direction across the stage

Blocking
400

Delivering a speech or acting a scene at an audition without having read it beforehand

Cold reading

400

The person charged with staging a play or musical, who coordinates all onstage aspects of the production, including the performances of the actors

Director

400

Gestures, facial expressions, and vocal tricks that a particular actor uses again and again in different roles

Mannerisms

400

The speed at which a scene is played

Pace

500

Bodily movements, large or small, which indicate what a person is thinking or feeling

Body language

500

A line of dialogue, action, or sound, onstage or off, that tells an actor it is time to enter, exit, move across stage, or most commonly begin speaking

Cue

500

An exaggerated facial response to another actor's words or actions, usually used for comic effect

Double-take

500

An actor's ability to sound and/or look like someone else, usually a famous person

Mimicry

500

A deliberate pause within or between lines, used by an actor to call special attention to a moment

Pausing for effect

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