Act 1
Act 2
Act 3
Act 4
Act 5
100

Information given through dialogue


EXPOSITION

100

Backdrops, furniture, platforms, etc., are used to create a setting on stage.


Set

100

(1) The use of words to express something other than, and especially the opposite of their literal meaning – sarcasm? - (2) The difference between what happens and what you expected to happen


Irony

100

A light, humorous parody


Spoof

100

Throwing your voice forward in a prominent way, so that you can be heard by everyone in the audience.



PROJECTION



200

A line spoken to the audience or camera


Aside

200

A scene performed with little or no rehearsal


IMPROVISATION – (Or “improv”)

200

A person who writes plays


PLAYWRIGHT

200

Forms and patterns of speech peculiar to a certain geographical region


DIALECT

200

Pronouncing your words clearly



ENUNCIATION  



300

A division of a play within an act


Scene

300

Any item used on stage


Prop

300

The imaginary time and place the stage area represents


Setting

300

The “villain”, or the character who sets up obstacles for the protagonist to overcome


ANTAGONIST

300

The main character, or the hero, in a story


PROTAGONIST

400

The people in a story

Character 

400


Opposition; a clash of needs, desires, or motives  


CONFLICT  

400


A turning point, marked by rising action


CRISIS

400


The high point of the action


CLIMAX  

400

The ending, with conflicts resolved to some extent

RESOLUTION

500


Give your attention to the point of focus: the person speaking or whatever you want the audience to focus on.  This is called “giving focus”.  “Pulling focus” – not good – is letting your eyes wander around the stage or (worse) the audience; or fidgeting or squirming in a way that draws attention away from the point of focus. 


Focus

500


Physically commit to whatever role you’re playing with enthusiasm.


ENERGY

500


Use physical and verbal expression.


EXPRESSION

500

Work to make sure that the audience can see what you want them to see. When working with another actor, “Cheat out;” turn your body slightly toward the audience.

Keep your face and body turned toward the audience as much as possible.

Keep hair, clothes, props, etc., from obscuring your face and (especially) mouth.

When two people enter together, the upstage person always enters first.

VISIBILITY

500

Work to make sure that everyone in the audience can understand everything you say.

  • Project your voice to the most distant person in the room.

  • Enunciate clearly.

Control your rate of speech; nerves tend to make you speak faster.  Consciously speak slower than usual.

AUDIBILITY

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