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100

A sense of beauty or an appreciation of artistic expression.

Aesthetic 

Aesthetic qualities in texts are those that engage the senses and elicit emotional and intellectual responses.

100

An outlook or a way of thinking or feeling about something.

Attitudes

Our values underlie our attitudes. Attitudes can be expressed by what we say, do and wear.  

100

The group of readers, listeners or viewers that the writer, designer, filmmaker or speaker is addressing.

Audience 

When we consider audience we might consider demographics such as age, ethnicity, gender, location, education level, interests etc.

100

The environment in which a text is created in or responded to.

Context 

We can consider how texts are shaped by various types of contexts such as authorial, historical, cultural, social, political, personal or generic.

100

The techniques, features or elements that belong to a particular genre.

Convention

In order to belong to a particular genre, a text should adhere to, abide by or follow the conventions of that genre.

100

The ways in which information is organised in different types of texts.

Text Structures

Text structure will depend on the form and purpose of the text e,g. article, essay, poem, narrative etc. and each form will have its own set of associated structural features.  

200

Particular interpretations of texts.

Readings 

They might be dominant, resistant or alternative (including feminist, postcolonial, ecocritical, marxist or other forms of readings).

200

The word has an open meaning and can be interpreted as understandings, thoughts, notions, opinions, views or beliefs.

Ideas 

We generally state themes as ideas when analysing literature or media.

200

Language techniques used in argument to persuade audiences.

Rhetorical Devices

They might appeal to logos, ethos or pathos. Examples include rhetorical questions, repetition, hyperbole, tricolon, facts/statistics and inclusive language.  

200

An idea, concern or argument developed in a text usually centred around an aspect of human experience.

Theme 

We generally discuss themes as ideas e.g. the theme of a text might be love and the idea conveyed could be how love involves sacrifice. Texts have multiple themes.

200

describes the way the ‘voice’ is delivered.

Tone 

For example, the tone of a voice or the tone in a passage of writing could be friendly or angry or persuasive.

200

Various components of a text that contribute to its visual presentation and impact.

Visual Elements 

They include things like composition, framing, representation of action or reaction, shot size, social distance and camera angles.

300

The channel or platform through which communication is transmitted (i.e. how messages are delivered to an audience).

Medium 

For example, print media (books, newspapers), digital media (websites, blogs), audio media (audiobooks, podcasts) or audiovisual media (film, television).

300

The atmosphere or feeling in a particular text.

Mood 

For example, a text might create a sombre, reflective, exhilarating or menacing mood. Mood can be conveyed through elements such as tone, word choice, syntax and imagery.

300

The distinct personality of a piece of writing created through syntax, punctuation, vocabulary choices, persona and dialogue.

Voice

Texts often contain ‘multiple voices’. These are the views, positions, ideas and perspectives of individuals or groups.

300

The way people, events, issues or subjects are presented in a text.

Representation 

The term implies that texts are not mirrors of the real world; they are constructions of ‘reality’, partially shaped through the writer’s use of conventions and techniques.

300

The ways in which a narrator may be related to the story.

Narrative Point of View 

For example, the narrator might take the role of first or third person, omniscient or limited (in knowledge of events), reliable or unreliable in interpreting what happens. Some texts have multiple narrative points of view.

300

The things that we hold as important, good, desirable or worthwhile.

Values 

They guide or motivate our attitudes or actions. We can have individual values or group values (cultural values).

400

The shape and structure of a text.

Form

Literary texts, for example, include a broad range of forms such as novels, poetry, short stories, plays, fiction, multimodal texts, and non-fiction.  

400

Things which directly or indirectly affect a person or members of a society and are considered to be problems.

Issues 

These matters of personal or public concern are often in dispute. They might be social, economic, environmental etc.

400

A position from which things may be viewed or considered.

Perspective 

It is more than an opinion; it is a viewpoint informed by one or more contexts. People may have different perspectives on events or issues due to their age, gender, social position, beliefs, values etc.

400

The categories into which texts are grouped.

Genre 

It might include genre of form (e.g. poetry, prose, drama, non-fiction) or genre of subject matter (e.g. romance, mystery, science fiction etc).

400

The various processes of communication.

Mode 

These modes include linguistic (written or spoken language), visual (images, symbols, colours), gestural (body language, gestures), spatial (layout, organisation), and auditory (sound, music).

400

The way a reader, viewer or audience reacts or responds to a text.

Response 

This might include how they feel (emotional response), what they think or consider (intellectual response) or what they do (behavioural response).

500

Texts that combine two or more communication modes.

Multimodal 

Multimodal texts can take various forms, such as picture books, digital media, films, advertisements, graphic novels, presentations and artworks.

500

Language used to discuss language.

Metalanguage

For example, language used to discuss film or literary study, such as mise-en-scène, symbolism, characterisation, or language used to talk about grammatical terms, such as sentence, clause or conjunction.  

500

A text that combines elements of different genres, modes, or forms to create a unique and multifaceted text.

Hybrid Text 

Examples of hybrid texts include websites, digital narratives, interactive e-books, multimedia poetry etc.

500

The features of language that support meaning.

Language Features 

This might include sentence structure, word classes, vocabulary, punctuation, figurative language etc. It can also include visual language.

500

The process of analysing and making meaning from a text.

Interpretation 

It involves critically examining the content, structure, language features, and stylistic choices of a text to uncover deeper layers of meaning, themes, and messages.

500

The ways in which aspects of texts are arranged and how they affect meaning.

Stylistic Features

Examples of stylistic features are lexical choice, syntax, narrative point of view, voice, structure, language patterns and language features, both written and visual.  

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