Plot
Character
Grammar
Narration
Figurative Language
100

Contextual and background information told to readers about characters, plot, setting, and situation.

Exposition

100
The main character in a work and the character who opposes them.

Protagonist and Antagonist

100

"To be" verbs.

Linking Verbs

100

Told by a narrator who is a character in the story and who refers to themselves in the first person.

First-Person Narration

100

A comparison made using like, as, or though.

Simile

200

The events, marked by increasing tension and conflict, that build up to a story’s climax.

Rising Action

200

A character who exhibits a range of emotions and who evolves over the course of the story.

Round/Dynamic/3D Character

200

The noun or pronoun that directly receives the action of the verb.

Direct Object

200

A narrator who is not one of the characters in the story.

Third-Person Narration

200

A figure of speech used to explain or clarify an idea by comparing it explicitly to something else.

Metaphor

300

The outcome of a plot’s conflicts.

Resolution

300

A character embodying few traits and who lacks character development.

Flat/Static/2D Character

300

A clause that does not make sense by itself and does not express a complete thought. 

Dependent Clause

300

Stories told by using second-person pronouns (you/your), placing the reader as a character in the story.

Second-Person Narration

300

Deliberate exaggeration used for emphasis, or to produce a comic/ironic effect.

Hyperbole

400

A literary device which hints at future events.

Foreshadowing

400

A flat, stereotypical character who falls into an immediately recognizable category.

Stock Character

400

A word that shows the relationship between a word in the sentence and the word that is its object.

Preposition

400

A narrator usually only knowing the full thoughts and actions of one character.

Third-Person Limited Narration

400

A discrepancy between what seems fitting or expected in a story and what actually happens.

Irony (Situational)

500

A technique in which a narrative begins in the middle of the action.

In media res

500

The German word for a coming-of-age-story

Bildungsroman

500

A verb form that is not being used as a verb, instead acting as a noun, adjective, or adverb.

Verbal

500

A narrator that knows the thoughts and actions of all characters in the story.

Third-Person Omniscient Narration

500

A literary work that portrays abstract ideas concretely, where characters are often personifications of abstract ideas, or where real people or events are portrayed figuratively through the story.

Allegory

M
e
n
u