A
B
C
D
E
100

THE SOURCE OF CONFLICT FOR THE MAIN CHARACTER

ANTAGONIST

100

CONVERSATION BETWEEN CHARACTERS

DIALOGUE

100

LITERARY TECHNIQUES THAT INVOLVE SURPRISING, INTERESTING,, OR AMUSING CONTRADICTIONS; THE UNEXPECTED

IRONY

100

PLACE AND TIME IN WHICH A STORY TAKES PLACE

SETTING

100

REFERS TO THE ATMOSPHERE OR FEELING CONVEYED BY A WORK; THE WAY THE READER FEELS

MOOD

200

THE MAIN CHARACTER

PROTAGONIST

200

FORM OF LANGUAGE SPOKEN BY PEOPLE IN A PARTICULAR REGION OR GROUP

DIALECT

200

VOICE THROUGH WHICH AN AUTHOR TELLS A STORY

PERSONA

200

WRITER'S TYPICAL WAY OF WRITING

STYLE

200

CHARACTERS HAVE TO MAKE BIG DECISIONS

INTERNAL CONFLICT

300

PERSON, ANIMAL, OR IMAGINARY CREATURE IN A LITERARY WORK

CHARACTER

300

FLASHBACK

INTERRUPTS THE SEQUENCE OF EVENTS TO RELATE AN EVENT FROM AN EARLIER TIME

300

SEQUENCE OF EVENTS

PLOT

300

ANYTHING THAT STANDS FOR OR REPRESENTS SOMETHING ELSE OR SOMETHING ABSTRACT

SYMBOL

300

CONFLICT INVOLVES OUTSIDE FORCES EX. OTHER CHARACTERS, NATURE, COMMUNITY

EXTERNAL CONFLICT

400

STRUGGLE BETWEEN 2 OPPOSING FORCES

CONFLICT

400

FORESHADOWING

HINTS OR CLUES

400

LESS IMPORTANT SERIES OF EVENTS WITHIN THE MAIN

SUBPLOT

400

CENTRAL IDEA; MESSAGE IN A STORY

THEME

400

NARRATOR IS A CHARACTER IN THE STORY

1ST PERSON

500

CAUSES THE PLOT TO BECOME TENSE OR ENTANGLED AS A RESULT OF THE CONFLICT

COMPLICATION

500

GENRE

A DIVISION OR TYPE OF LITERATURE

500

PERSPECTIVE, OR VANTAGE POINT, FROM WHICH A STORY IS TOLD EX. 1ST, 2ND, 3RD

POINT OF VIEW

500

WRITER'S ATTITUDE 

TONE

500

NARRATOR KNOWS THE THOUGHTS AND FEELINGS OF ALL THE CHARACTERS

3RD PERSON OMNISCIENT

M
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