Emotional Heightening
Radio Drama
Laban
Stanislavski
Vocab and Misc.
100
The point in a scene in which the scene can go no further; usually caused by lack of emotional heightening
What is the saturation point.
100
An atmosphere or environment created by or with sound
What is soundscape
100
One of Laban’s 8 efforts that requires actors and directors to question whether the movement is sustained or sudden when analyzing movement
What is time.
100
In the Stanislavski system, this is referred to as the extent or range of an actor's concentration
What is the circles of attention
100
To speak clearly so that all of your words can be understood.
What is diction
200
The reaction to significant stimuli
What is an orienting response.
200
A signal, such as a word or action, used to prompt a sound effect
What is a sound cue
200
One of Laban’s 8 efforts that requires actors and directors to question whether the movement is heavy or light when analyzing movement
What is weight
200
Stanislavski believed that the best way for an actor to work on a character was from
What is the inside, out.
200
Speed of speech
What is rate
300
An action that triggers an emotional response; usually the start of a scene.
What is a stimulus
300
The person who creates non-computerized sound effects during rehearsal and performance
What is the Foley Artist
300
One of Laban’s 8 efforts that requires actors and directors to question whether the movement is flexible or direct when analyzing movement
What is space
300
The overall need or want for a character that is present throughout the entire play which provides a through line and arc for the character and theme of the play is called the
What is the super-objective
300
To speak loudly so that you can be heard
What is projection
400
A pattern wherein a stimulus triggers an emotional response
What is a game.
400
The primary purpose behind the invention of radio was
What is to inform the masses.
400
direct, heavy and sudden movement
What is thrust
400
In the Stanislavski system, this is referred to as the way in which a performer can transform her thoughts and imagine herself in virtually any situation.
What is the magic "if"
400
The leading lady of a musical wants to find true love. This is called the character’s
What is objective
500
This American psychologist identified the eight primary emotions
Who is Robert Plutchik
500
Radio drama was crated in this country during this time period.
What is The United States in the 1920's
500
direct, light and sudden movement
What is dab.
500
In the Stanislavski system, this is referred to as the situation in which a character exists as indicated by the playwright through text and stage directions
What are the given circumstances.
500
The various ways in which a character achieves what they want are called
What are tactics
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