Phrase Structures
This part of a sentence features two basic ideas
presentation
The second subphrase in a sentence
continuation
This applied chord consists of a stack of minor thirds
The o7 chord
This tendency tone must always resolve down by step
The chordal seventh
You must raise scale degree 7 within this chord in the minor mode
V (or dominant)
A musical unit that ends with a cadence
a phrase
The name of a presentation that has two basic ideas starting on I and viio respectively
sequential repetition
A chord with this quality can not be tonicized
diminished (or augmented)
The tendency tone found in a triad that can not be doubled
Leading tone
The contextual analysis labels related to a statement-response presentation
I and V (or IV)
The period labels that refer to phrase length
This phrase structure we've learned about consists of one phrase
a sentence
This label refers to any applied chord that is a half step below its tonicized chord
Leading tone chord
This exception to the LT resolution can be used in applied dominants but not applied LT chords
the leading tone drop
This harmonic design label applies to a period with the cadence scheme of FM: IAC + FM: PAC
Sectional
The harmonic design label for a period that ends with a HC and then moves to tonic harmony
Interrupted
The notes of an applied V7/V in the key of g minor (make sure to account for all accidentals)
A C# E♮ G
This part writing error involves a note in one voice being chromatically altered in a different voice
cross relation
This harmonic design label applies to a period with the cadence scheme Gm: IAC + BbM: PAC
progressive
Thematic design label that signifies that the melodic material in the ANT and CONS of a period is similar
parallel
The notes of a viio7/ii in A major (make sure to specify any chromatically altered notes)
A# C# E G♮
After resolving the chordal seventh and leading tone of a viio7/X, make sure to account for this voice leading error involving the bass
unequal fifths