Modal Mixture
The quality of a ii7 chord whose 5th is lowered
Half diminished
The section of music in which you won't find periods or sentences.
Digression (i.e. the B section)
The term used when the beginning of the A section returns after a digression.
Rounded
Chords that can't be tonicized
Diminished and augmented
The chords whose roots are altered by modal mixture.
bIII bVI and bVII
The term used when the end of the A section returns after a digression
Balanced
The harmonic design labels of binary form.
For 200 bonus points: give a coherent explanation for what each of the labels means.
Sectional and Continuous
Pivot chords must be _______ to both _____.
For 100 bonus points: Pivot chords are usually not _____ chords.
diatonic, keys
Bonus: seventh
Chromatically lowered notes function as _____ _____ and resolve ____.
tendency tones, down
The harmonic design labels for periods.
For 400 bonus points: give a coherent explanation for these labels (each member of your team must contribute at least one explanation).
Sectional, Continuous, Interrupted, Progressive
A descriptive label for the bracketed section.
For 300 bonus points: Identify the Cadence (key: type) and the RNs in m. 16-17.
(Melodic) Sequence
Bonus: FM: HC
V6/5 of V --> V
The closely related key of Bb Major when the pivot is:
vi to iiF Major
The notes of iv6/5 in the key of GM (in order).
Eb G Bb C
The labels of this musical excerpt's phrase structure.
(see slide)
symmetrical, parallel, sectional period
The binary form labels of this piece.
(see slides)
Simple Continuous Balanced Binary
The closely related keys of B minor
D Major; E Minor; F# minor; G Major; A Major
The notes of a bVI chord in the key of F# Major (specify each accidental).
D natural F# A natural
All possible pivot chords between AM and EM.
I and IV; iii and vi;
V and I; vi and ii