IT'S FINE
KINDA EASY
YOU CAN DO IT
MEDIUM
MA KAYA RANI
100

THE LANGUAGE OF ART IS ANALYZED THROUGH ___________

INTERPRETATION

100

SECONDARY IMPLIED MEANINGS OF AN ARTWORK

SUBTEXT

100

CONCERNED WITH POWER DISTRIBUTION OF ECONOMIC RESOURCES

POLITICAL ECONOMY

100

THE PRODUCTION OF ART IS ALSO HIGHLY DEPENDENT ON THE _____________ OF THE SOCIETY THAT MAKE THE ART

MATERIAL CONDITION

100

CONTEXT OR THE MASS OF IDEAS 

CULTURAL MEANINGS ARE FORMED AND COMMUNICATED 

LANGUAGE 

200

NATURE, BEAUTY, AND VALUE OF A WORK OF ART

AESTHETICS

200

ESTABLISH THE TIMELINE AND SUSTAIN THE SYSTEMATIC SEQUENCE OF EVENTS

ART HISTORY

200

INFORMED TALK OR WRITING ABOUT ART 

ART CRITICISM 

200

PHENOMENA LIKE ENCHANTMENT, FEAR, AWE, TERROR OR GUILT

AESTHETIC EXPERIENCE

200

PROCESS OF RESPONDING TO OBSERVATIONS, CONCEPTS, EMOTIONS, AND OTHER EXPERIENCES

PRESENTATION OF IDEAS AND FEELINGS 

ART PRODUCTION

300

THE 2 CLASSIFICATIONS OF CONTEXT WITH A SHORT DESCRIPTION 

PRIMARY - PERTAINS TO THE ARTIST 

 SECONDARY- ADDRESSES THE EXTERNAL CONDITIONS IN WHICH THE ARTWORK IS PRODUCE

300

3 AESTHETIC THEORIES OF ART CRITICISM

- IMITATTIONALISM AND LITERAL QUALITIES

- FORMALISM AND FORMAL QUALITIES 

- EMOTIONALISM AND EXPRESSIVE QUALITIES 

300

FUNDAMENTAL COMPONENTS OF ART WITH ITS OBJECT ANALYSIS AND PROCESS OF ANALYSIS

FORM- TECHNIQUE- IMAGINATION 

LANGUAGE- MEANING- INTERPRETATION

MODE OF PRODUCTION- POLITICAL ECONOMY- IDEOLOGY

300

ART WORLD IS A NETWORK OF INSTITUTIONS IN WHICH EXERCISES THE POWER TO SET THE TERMS WITH WHICH THE PUBLIC  IS MADE TO PERCEIVE ART

CONSENSUS OF THE ART WORLD

300

CULTURE CREATES ART AND EACH HAS ITS OWN STANDARDS OF REPRESENTATION, ITS OWN CULTURAL CONTEXT

CULTURAL PRACTICE AND SHARED MEANINGS 

400

POLITICAL ECONOMY IS CONCERNED WITH PRODUCTION IN RELATION TO THE FOLLOWING:

-C,L                  -P, PM

-PS,PR

-I,C 

- CAPITAL AND LABOR 

- POWER STRUCTURES AND POWER RELATIONS 

- INSTITUTIONS OF CONTROL

- ART AS PROPAGANDA AND PERSUASIVE MEDIUM

400

FOUR- STEP PROCESS OF ART CRITICISM 

-What do you see? (description)

-What message does this artwork communicate? (interpretation)

-How is the work organized? (analysis)

-Is this a successful work of art? (Judgement)

400

HISTORICAL EVENTS, ECONOMIC TRENDS, CONTEMPORARY CULTURAL DEVELOPMENTS, RELIGIOUS ATTITUDES, SOCIAL NORMS, OTHER ARTWORKS OF THE TIME.

2 EXAMPLES:

CONTEXT 

2 EXAMPLES: LASCAUX CAVE PAINTINGS 

ANGONO PETROGLYPHS

400

MEANING AND EXAMPLE

MEDIUM- 

FORM- 

CONTENT-

MEDIUM- WHAT IT IS MADE OF (MADE OF WOOD)

FORM- OUTWARD SHAPE (MALE PERSON)

CONTENT- SUBJECT IT DESCRIBES (HOLY FIGURE IN ROMAN CATHOLIC REGION)

400

FORM IS MADE UP OF 3 ELEMENTS AND WHAT ARE THOSE?

FORMAL ELEMENTS, OVERALL COMPOSITION, MATERIALS AND TECHNIQUES

500

8 INQUIRIES ABOUT ART HISTORY

-ATTRIBUTION

-AUTHENTICITY

-ICONOGRAPHY

-PROVENCE

-FUNCTION

-STYLE

-PSYCHOLOGY

-CONNOISSEURSHIP

500

2 CORE ACTIVITIES OF ART WORLD

2 COLLATERAL ACTIVITIES OF ART WORLD 

1) PRODUCTION OF ART

EXHIBITION OF ART GALLERIES

2) FACILITATION OF PRODUCTION AND EXHIBITION 

DISSEMINATION OF ART AND ART DISCOURSE

500

SUBCOMMISSION OF CULTURAL (3) AND CULTURAL DISSEMINATION(3) 

1)NATIONAL COMMITTEE ON______CULTURAL COMMUNITIES

2)NATIONAL COMMITTEE ON ....

1) - NORTHERN

- CENTRAL 

-SOUTHERN

2)- CULTURAL EDUCATION 

- COMMUNICATION 

- LANGUAGE AND TRANSLATION

500

SUBCOMMISSION ON THE ARTS (7)

NATIONAL COMMITTEE ON...

- ARCHITECHTURE AND ALLIED ARTS

- CINEMA

- DANCE 

- DRAMATIC ARTS

- LITERARY ARTS

- MUSIC

- VISUAL ARTS

500

SUBCOMMISSON ON CULTURAL HERITAGE (6)

- ARCHIVES

- ART GALLERIES

- HISTORICAL RESEARCH

- LIBRARIES AND INFORMATION SERVICES 

- MONUMENTS AND SITES 

- MUSEUMS 

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